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Once Upon a Time in a Dark and Scary Book
Contemporary American horror literature for children and young adults has two bold messages for readers: adults are untrustworthy, unreliable and often dangerous; and the monster always wins (as it must if there is to be a sequel). Examining the young adult horror series and the religious horror series for children (Left Behind: The Kids) for the first time, and tracing the unstoppable monster to Seuss's Cat in the Hat, this book sheds new light on the problematic message produced by the combination of marketing and books for contemporary American young readers.
Revolutionary Pensioners
A transcript of the pension list of the United States, shewing the number of pensioners in the several districts. Also, the amount owed to each pensioner.
Gothic Mash-Ups
Gothic Mash-Ups explores the role of intertextuality in Gothic storytelling through the analysis of texts from diverse periods and media. Drawing on recent scholarship on Gothic remix and adaptation, the contributors examine crossover fictions, multi-source film and comic book adaptations, neo-Victorian pastiches, performance magic, monster mashes, and intertextual Gothic works of various kinds. Their chapters investigate many critical issues related to Gothic mash-up, including authorship, originality, intellectual property, fandom, commercialization, and canonicity. Although varied in approach, the chapters all explore how Gothic storytellers make new stories out of older ones, relying on a mix of appropriation and innovation. Covering many examples of mash-up, from nineteenth-century Gothic novels to twenty-first-century video games and interactive fiction, this collection builds from the premise that the Gothic is a fundamentally hybrid genre.
House Documents
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Devon Wakefield
Devon Wakefield only wanted to escape the unwanted attentions of her lustful stepfather. Yet her hiding place proved to be a doorway to a new life. Having inadvertently stumbled onto a convict ship bound for New South Wales in 1787, no one would believe her when she said she didn't belong there. So, like it or not, she was on her way to a new home. On the banks of Sydney Harbor, Devon found strange new animals and people who would become her friends. She learned that she had an extraordinary talent and love for farming. And above all, she discovered the love of her life: Lieutenant Jonathan Lake of His Majesty's Navy. The first few years in Australia brought nothing more pleasant than poverty and starvation. However, as the colony grew more prosperous, so did Devon. Yet as successful as she was as a farmer, Devon's heart was broken. For Jonathan was gone, and she had been forced to marry another man. Sometimes it seemed as though Devon would never find love again-that all life promised her was work, work, and more work. Then, back in London, Jonathan makes a bizarre discovery that sets him and Devon back on the road to reunion and to true love.
