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An intimate look at the afterlife of lynching through the personal stories of Black victims and survivors who lived through and beyond its trauma Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. She unearths how African American victims and survivors found ways to live through and beyond the horrors of lynching, offering a theory of African American collective trauma and memory rooted in the ironic spirit of the blues sensibility—a spirit of misdirection and cunning that blends joy and pain. Black southerners often shielded their loved ones from the most painful memories of local lynchings with strategic silences but al...
Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynching victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of households being torn from model...
Through case studies on, amongst others, the labour market, education, the family and legal system, this book examines the salience and silence of race and colour in Jamaica in the decades preceding and following independence and its impact on individuals and society.
This edited volume examines the political, social, and cultural insecurities that the United States is faced with in the aftermath of its post-9/11 foreign policy and military ventures. The contributors critically detail the new strategies and ideologies of control, governance, and hegemony America has devised as a response to these new security threats. The essays explore three primary areas. First, they interrogate the responses to 9/11 that resulted in an attempt at geopolitical mastery by the United States. Second, they examine how the US response to 9/11 led to attempts to secure and control populations inside and outside the United States, resulting in situations that quickly started to escape its control, such as Abu Ghraib and Katrina. Lastly, the chapters investigate links between contemporary regimes of state control and recently recognized threats, arguing that the conduct of everyday life is increasingly conditioned by state-mobilized discourses of security. These discourses are, it is argued, ushering in a geopolitical future characterized by new insecurities and inevitable measures of biopolitical control and governance.
This book studies a grouping of films set in New York City between 1965 and 1995, reflecting a town besieged by rampant criminality, social distress and physical decay. "Fear City" is a term the NYPD used to label New York as a frightening environment, incapable of securing the safety of its residents. This book not only deals with the social problems evident in New York during this period, but also provides a study of how independent filmmakers were able to capture unsettling urban imagery, capitalizing on feelings of paranoia and dread. The author explores how the tone of these films reflects upon the anti-urbanism that led to the War on Crime, the mass exodus of working-class people from the city and mass incarceration of young Black men.
This multifaceted study of Syrian immigration to the United States places Syrians— and Arabs more generally—at the center of discussions about race and racial formation from which they have long been marginalized. Between Arab and White focuses on the first wave of Arab immigration and settlement in the United States in the years before World War II, but also continues the story up to the present. It presents an original analysis of the ways in which people mainly from current day Lebanon and Syria—the largest group of Arabic-speaking immigrants before World War II—came to view themselves in racial terms and position themselves within racial hierarchies as part of a broader process of ethnic identity formation.
For more than half a century, the Socialist Register has brought together some of the sharpest thinkers from around the globe to address the pressing issues of our time. Founded by Ralph Miliband and John Saville in London in 1964, SR continues their commitment to independent and thought-provoking analysis, free of dogma or sectarian positions. Transforming Classes is a compendium of socialist thought today and a clarifying account of class struggle in the early twenty-first-century, from China to the United States.
This study of what Brian Norman terms a neo-segregation narrative tradition examines literary depictions of life under Jim Crow that were written well after the civil rights movement. From Toni Morrison's first novel, The Bluest Eye, to bestselling black fiction of the 1980s to a string of recent work by black and nonblack authors and artists, Jim Crow haunts the post-civil rights imagination. Norman traces a neo-segregation narrative tradition--one that developed in tandem with neo-slave narratives--by which writers return to a moment of stark de jure segregation to address contemporary concerns about national identity and the persistence of racial divides. These writers upset dominant nati...
With Amusement for All contextualizes what Americans have done for fun since 1830, showing the reciprocal nature of the relationships among social, political, economic, and cultural forces and the ways in which the entertainment world has reflected, changed, or reinforced the values of American society.
"A lucid, smart, engaging, and accessible introduction to the impact of lynching photography on the history of race and violence in America. "—Grace Elizabeth Hale, author of Making Whiteness: The Culture of Segregation in America, 1890-1940 "With admirable courage, Dora Apel and Shawn Michelle Smith examine lynching photographs that are horrifying, shameful, and elusive; with admirable sensitivity they help us delve into the meaning and legacy of these difficult images. They show us how the images change when viewed from different perspectives, they reveal how the photographs have continued to affect popular culture and political debates, and they delineate how the pictures produce a dial...