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Shadow House
In this fascinating study of Northwest Coast art, Jonathan Meuli has not only outlined a history of ideas associated with Northwest Coast art objects from pre-Contact time to the present day, but has also examined the ways in which the physical location and contexts in which the objects are produced has helped to determine their meanings. Locating his linear historical narrative within a wider exploration of ethnographic art ideas, which emphasizes links across cultures, Meuli examines the differing attitudes towards Northwest Coast material culture, particularly as these are embodied in oral mythic narratives, collection methods and architectural constructions.
The Culture of Craft
Dormer presents a series of lively, clearly argued discussions about the relevance of handicraft in a world whose aesthetics and design are largely determined by technology. The question of computer aided design in craft is also addressed.
Al Bahr Towers
This publication is entirely centered on the design and delivery of Al Bahr Towers. With 300-colour images, it is highly visual with specially commissioned photography by Christian Richters. An illustrated introduction by the architectural correspondent of The Financial Times, Edwin Heathcote provides an engaging account of the background behind the building: the client, the circumstances behind the commission and its most significant architectural precedents. Expert insight is provided into the history and philosophy of Islamic architecture by Professor Eric Ormsby of The Institute of Ismaili Studies. A unique description of the design and procurement of these ground-breaking structures is provided by architectural author Edward Denison.
A Host of Devils
A Host of Devils provides an in-depth account of the background, origin and development of the spirit figure sculptures which emerged during colonial times among the Makonde people of Mozambique. The creation of such works is shown to connect with a regional system of knowledge and practice, within which spirits function as a format for expression. The book describes the ways in which the sculpture emerged, as well as the author's experience of learning how to carve.
The Best Laid Schemes
"There are more statues of Robert Burns in the United States than there are of any American poet. Scotland's favorite poet has been loved by generations of Americans--from Abraham Lincoln and Walt Whitman to Robert Frost, Maya Angelou, and Bob Dylan. Now this book makes Burns's greatest poetry more accessible to American readers than ever before. Newly edited from manuscripts and early printed texts, this... collection also introduces some recently discovered verses. [It includes] a substantial selection of Burns's important prose writings, including letters and key statements about his art. Edited and annotated by acclaimed Burns biographer Robert Crawford and textual expert Christopher MacLachlan, the book also includes a substantial introduction that puts the poet in biographical, historical, and cultural context. The Best Laid Schemes demonstrates like no other collection why Burns is considered one of the world's greatest poets of love and democracy--and why he continues to entertain, move, and intrigue readers two and a half centuries after his birth."--Publisher description.
An Amazonian Myth and Its History
Peter Gow unites the ethnographic data collected by the fieldwork methods invented by Malinowski with Levi-Strauss's analyses of the relations between myth and time. His book is an analysis of a century of social transformation in an indigenous Amazonian society, the Piro people of PeruvianAmazonia, taking as its starting point a single myth told to the author by a Piro man. Gow explores Piro history and ethnography outwards into the domains of myth-telling in general, and following the logic of certain important myths, further out into important domains of Piro experience such asvisual art, shamanry and girls' initiation ritual. All of these domains, like the myths themselves, have been dem...
Timothy Asch and Ethnographic Film
Timothy Asch (1932-1994) was probably the greatest ethnographic filmmaker of the latter twentieth century, and one of the best-known anthropologists of his generation. He worked with Margaret Mead, John Marshall and Napoleon Chagnon, lived and filmed on every continent except Antarctica, and won numerous international prizes. His work, which includes 'The Ax Fight' and more than 50 other films of the Yanomamö Indians of Venezuela, comprises the most widely used resource in the teaching of anthropology today. Timothy Asch and Ethnographic Film combines a biographical overview of Asch's life with theoretical and critical perspectives, giving a definitive guide to his background, aims and ideas, methodology and major projects. Beautifully illustrated with 60 photos, and featuring articles from many of Asch's friends, colleagues and collaborators as well as an important interview with Asch himself, it is an ideal introduction to his work and to a range of key issues in ethnographic film.
Yakuglas' Legacy
Charlie James (1867–1937) was a premier carver and painter from the Kwakwaka'wakw First Nation of British Columbia. Also known by his ceremonial name Yakuglas, he was hawker a prolific artist and activist during a period of severe oppression for First Nations people in Canada. Yakuglas’ Legacy examines the life of Charlie James. During the early part of his career James created works primarily for ritual use within Kwakwaka'wakw society. However, in the 1920s, his art found a broader audience as he produced more miniatures and paintings. Through a balanced reading of the historical period and James’ artistic production, Ronald W. Hawker argues that James’ shift to contemporary art forms allowed the artist to make a critical statement about the vitality of Kwakwaka'wakw culture. Yakuglas’ Legacy, aided by the inclusion of 123 colour illustrations, is at once a beautiful and poignant book about the impact of the Canadian project on Aboriginal people and their artistic response.
