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Blert
The bright, taut, explosive poems in Jordan Scott's Blert represent a spelunk into the mouth of the stutterer. Through the unique symptoms of the stutter (Scott, like fifty million others, has always stuttered), language becomes a rolling gait of words hidden within words, leading to different rhythms and textures, all addressed by the mouth's slight erosions. In Scott's lexicon, to blert is to stutter, to disturb the breath of speaking. The stutter quivers in all that we do, from a skip on a CD to a slip of the tongue. These experiences are often dismissed as aberrant, but in Blert, such fragmented milliseconds are embraced and mined as language. Often aimed full-bore at words that are especially difficult for the stutterer, Scott's poems don't just discuss, they replicate the act of stuttering, the 'blort, jam, and rejoice' involved in grappling with the granular texture of words.
Night & Ox
bronchia think form a bombsight think periosteum singing particle falconry workpiece two lowcut hills seeking what stone is for body is herd alliterations Night & Ox is a long poem working its interruptions to a degree where it's broken by the will to live. A poem that invokes expansive loneliness, where the poet's emotional response is to endure. A crushed line of astral forms and anatomy in perpetual remove; it is a poem that nurtures vulnerability: some soft-footed embryo sounds against language’s viscera. Night & Ox possesses a feral minimalism for those too tired and too frantic with joy to cope with narrative. ‘A fierce, ladderlike cri de cœur – at times a cri de cur – Night &...
My Baba's Garden
The special relationship between a child and his grandmother is depicted in this sumptuous book by an award-winning team. Inspired by memories of his childhood, Jordan Scott's My Baba’s Garden explores the sights, sounds, and smells experienced by a child spending time with their beloved grandmother (Baba), with special attention to the time they spent helping her tend her garden, searching for worms to keep it healthy. He visits her every day and finds her hidden in the steam of boiling potatoes, a hand holding a beet, a leg opening a cupboard, an elbow closing the fridge, humming like a night full of bugs when she cooks. Poet Jordan Scott and illustrator Sydney Smith’s previous collaboration, I Talk Like a River, which received a Boston Globe-Horn Book Award expored a cherished memory shared between a father and son. In their new book, they turn that same wistful appreciation to the bond between a boy and his grandmother. Sydney Smith’s illustrations capture the sensational impressions of a child’s memory with iconic effect. A Junior Library Guild Gold Standard Selection
Decomp
In the summer of 2009, poets Stephen Collis and Jordan Scott traveled to five distinct ecosystems in British Columbia, leaving a single copy of Charles Darwin's On the Origin of Species to decay for a year in each remote outdoor location. A year later the texts were retrieved, photographed and documented, and worked into Decomp, an extended photo-essay and prose poem. The poets allowed nature to make 'selections' from Darwin'stext, via decomposition. Each distinct ecosystem offered a different 'reading' of (and through) the rotting book's pages. As evolution works, in Timothy Morton's words, ''through constant rewritings of the DNA sequence,' so the poets found themselves faced with a constantly rewritten Darwin. The final text is 'made up of all kinds of viral code insertions so you can't tell which bit is original.' Through colourful photo reproductions and prose meditations on their found texts, Collis and Scott have produced a work that moves beyond the typical dualisms of nature and writing -- dualisms still active in Darwin's own book.
I Talk Like a River
Winner of the Schneider Family Book Award Boston Globe-Horn Book Award Winner What if words got stuck in the back of your mouth whenever you tried to speak? What if they never came out the way you wanted them to? Sometimes it takes a change of perspective to get the words flowing. A New York Times Best Children's Book of the Year I wake up each morning with the sounds of words all around me. And I can't say them all . . . When a boy who stutters feels isolated, alone, and incapable of communicating in the way he'd like, it takes a kindly father and a walk by the river to help him find his voice. Compassionate parents everywhere will instantly recognize a father's ability to reconnect a child...
The Nocturne
In war-torn, late medieval France, an ill-fated sorcerer must surrender his soul after tragedy strikes, and afterward struggle against his own power - in a future that has long been foretold - to redeem himself before being separated from his true love forever...
Past Objects
In the space between archaeology and history stand men like Scott Jordan, a New Yorker who has been digging around in the city's soil for the better part of four decades. What began as a childhood hobby searching for treasure evolved into a lifestyle that has resulted in Jordan haunting building sites throughout the five boroughs, attempting to recover history before it is paved over forever. Using shovels, mesh sieves, canvas rucksacks, ingenuity and an incredible amount of determination, Jordan has amassed a staggering collection of antique bottles, china, toys, shoes and other items, which together create a patchwork historical narrative of New York City and its earliest settlers. As a self-trained historian and restorer of damaged objects, Jordan is not only privy to a unique take on early American history, but his adventures weave together into a tremendous factual and speculative examination of the past, by returning it to the present for all to enjoy.Past Objectsfeatures some of Jordan's favorite objects and stories, sure to appeal to anyone intrigued by history, antiques and popular culture.
Angela's Glacier
Award-winning author Jordan Scott’s luminously-illustrated love story of a girl growing up in the shadow of a glacier that’s always there to listen. Angela listened to the glacier; the glacier listened to Angela. As soon as she’s born, Angela’s father introduces her to her glacier. He carries her on his back up the icy expanse as the wind makes music of the snow and the water underneath. Over time, Angela gets big enough to walk beside him, and then, to go alone. She tells her glacier everything, and it answers. But then, life gets busy. Angela’s days fill up with school, homework, violin and soccer and friends. Until one day, Angela’s heart doesn’t sound right anymore. Luckily, Angela’s dad is there to remind her what she needs: a visit to her ancient icy friend. From the Schneider Family and Boston Globe-Horn Book Award-winning author of I Talk Like a River, Angela’s Glacier is a moving story about growing up without losing yourself, loving nature, and allowing it to love you in return. Diana Sudyka’s breathtaking artwork pulls the reader into a world of warm hugs from shining blue-green ice— and from dad, too.
I Am Every Good Thing
An upbeat, empowering, important picture book from the team that created the award-winning Crown: An Ode to the Fresh Cut. A perfect gift for any special occasion! I am a nonstop ball of energy. Powerful and full of light. I am a go-getter. A difference maker. A leader. The confident Black narrator of this book is proud of everything that makes him who he is. He's got big plans, and no doubt he'll see them through--as he's creative, adventurous, smart, funny, and a good friend. Sometimes he falls, but he always gets back up. And other times he's afraid, because he's so often misunderstood and called what he is not. So slow down and really look and listen, when somebody tells you--and shows you--who they are. There are superheroes in our midst!
Silt
Poetry. With his debut collection of poetry, Jordan Scott traces his own history from Vancouver to Lodz, Poland. Informed by a lifelong stutter, his family's association with the Fraser River and his grandparents' hardships in WWII Poland, SILT's poetics move from Scott's own story to the geography of his birthplace of Port Moody. This is a poetry book about the body's lived geologies. River, tongue, war, tooth, labourcamp, dollhouse, cabbage: all are part of the politics of a speech whose profoundly discontinuous landscape Jordan Scott overwrites with migratory and familial histories. Each word starts at anincarceration and haltingly enacts a survival. His kinetics are ambulatory, glottal, knotted by hope--Lisa Robertson.
