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Shot in Iceland on 35 mm and Polaroid film, The Young Earth is a fictional photo series by New York-based artist Jordan Sullivan that follows two Americans in their twenties, one of them terminally ill, as they explore the idyllic and remote corners of Iceland. There, they are forced to confront their own mortality and a past love triangle that had previously disrupted their friendship. What bonds the two young men in their last days together is fear: one man faces his impending death, the other faces his own uncertain future and the loneliness of the world without his best friend. Through meditations on death, the end of youth and the beauty and complications that come with love and friendship, the narrative examines how we might find courage in the face of oncoming tragedy. The Young Earth is the first volume in Sullivan's Wandering Days book series.
This book of 13 poems by Victor Edgar Rivera, a New Jersey writer born in Mayaguez, Puerto Rico, condemns Donald Trump and his administration for their treatment of immigrants and the people of Puerto Rico after Hurricane Maria, their trampling on the rights of African-Americans, women and the LGBT community, and their erosion of civil liberties and social justice.
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From the 1940s to the 1970s, the phonograph industry experienced phenomenal growth, both in sales and in cultural influence. Along with hugely popular music recordings, spoken word LPs served a multitude of functions and assumed an important place in the American home. In this book, Jacob Smith surveys a diverse range of spoken word genres—including readings of classic works of literature and drama, comedy albums, children’s records, home therapy kits, even erotica—to illuminate this often overlooked aspect of the postwar entertainment industry and American culture. A viable alternative to mainstream broadcasting, records gave their listeners control over what they could hear at home. Smith shows how the savvy industry used spoken word records to develop markets for children, African Americans, women, and others not well served by radio and television.
In 2005, Rebecca Norris Webb set out to photograph her home state of South Dakota, a sparsely populated frontier state on the Great Plains with more buffalo, pronghorn, mule deer and prairie dogs than people. South Dakota is a land of powwows and rodeos, corn palaces and buffalo roundups; a harsh and beautiful landscape dominated by space, silence, brutal wind and extreme weather. The next year, however, everything changed for Norris Webb, when her brother died unexpectedly of heart failure. "For months," she writes in the introduction to this volume, "one of the few things that eased my unsettled heart was the landscape of South Dakota. For each of us, does loss have its own geography?" My Dakota is a small intimate book about the west and its weathers, and an elegy for a lost brother.