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Renewed interest in Latin American film industries has opened a host of paths of scholarly exploration. Productions from different countries reflect particular social attitudes, political climates and self-conceptions, and must be considered separately and as a whole. The search for national identity is a key component of Latin American films in a time of decreasing cultural diversity and pressures to westernize. Globalization and falling government support have fueled cross-border collaborations, calling into question the idea of a movie's "nationality," and leaving some nations' film industries on the brink of collapse. Whether thriving or barely surviving, struggling to remain distinct or...
Memory, Allegory, and Testimony in South American Theater traces the shaping of a resistant identity in memory, its direct expression in testimony, and its indirect elaboration in two different kinds of allegory. Each chapter focuses on one contemporary playwright (or one collaborative team, in the case of Brazil) from each of four Southern Cone countries and compares the playwrights’ aesthetic strategies for subverting ideologies of dictatorship: Carlos Manuel Varela (memory in Uruguay), Juan Radrigán (testimony in Chile), Augusto Boal and his co-author Gianfrancesco Guarnieri (historical allegory in Brazil), Griselda Gambaro (abstract allegory in Argentina).
The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.
The author a celebrated film critic presents the history of the film industry in Uruguay for the last century, with detail recounts of the great film enterprises and their main figures: Bernardo Glucksmann, CENSA, Glaudec, Metro-Golden Meyer and their agreements regarding their films distribution and exhibition, the movie theaters, their architecture and difficult moments and finally the post-dictatorship new trends like cinema clubs, exhibition of erotic and picaresque films due to censorship changes and the development of art cinema.
Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and...
This is the first comprehensive and authoritative survey of an important and increasingly popular field. Because each of the contributors is an expert on his or her own national art, it is also the first to present a genuinely Latin American viewpoint. 17 scholars, critics and curators provide an exciting and challenging new assessment of twentieth-century Latin American art. The wider public and scholars alike will welcome the full treatment of the different histories and cultural traditions that have given each country its own character. Major artists such as Wifredo Lam, Frida Kahlo, Diego Rivera and Fernando Botero are seen in a wider context, and the exploration of the rich and important heritage of previously overlooked countries such as Ecuador, Peru, the Dominican Republic, Paraguay and Bolivia will be a revelation to many. Springing from complex cultural roots, Latin American art is fresh, varied and often startling in its originality. Its vast range and astonishing qualities are represented here in over 300 outstanding images.
"Selección de ensayos sobre teoría teatral, teatro latinoamericano y español, con una sección especial destinada al teatro de Buenos Aires, otra al de las provincias argentinas y una última parte que explora la relación del teatro con otras artes. Entre los dramaturgos estudiados se incluyen S. Berma, I. Chocrón, G. Gómez-Peña, G. Gambaro, D. Veronese, L. Marechal y R. Arlt"--Handbook of Latin American Studies, v. 58.
This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.
Una vida junto al arte y los artistas Julio María Sanguinetti es reconocido por sus vastos intereses culturales, que además de la historia y la política le llevan hacia el arte. Amigo de artistas, prologuista permanente de catálogos, divulgador en charlas y artículos,incluso promotor de la creación nacional desde su actividad pública, su vida está atravesada por esa constante pasión. Este libro nos compaña en un recorrido por episodios de una trayectoria junto al arte, a través de textos hoy dispersos, testimonios y recuerdos de un largo medio siglo. Los textos que recogen estas páginas se acompañan de fotografías y reproducciones de obras, que complementan estas memorias que, más allá del testimonio personal del autor, también lo es de lo que el arte ha incorporado a la esencia de nuestro país.