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The World of Yesterday
Stefan Zweig (1881–1942) was a poet, novelist, and dramatist, but it was his biographies that expressed his full genius, recreating for his international audience the Elizabethan age, the French Revolution, the great days of voyages and discoveries. In this autobiography he holds the mirror up to his own age, telling the story of a generation that "was loaded down with a burden of fate as was hardly any other in the course of history." Zweig attracted to himself the best minds and loftiest souls of his era: Freud, Yeats, Borgese, Pirandello, Gorky, Ravel, Joyce, Toscanini, Jane Addams, Anatole France, and Romain Rolland are but a few of the friends he writes about.
Amerigo: A Comedy of Errors in History
Stefan Zweig's Amerigo: A Comedy of Errors in History is the Austrian writer's account of how America got its name. This short, late work describes how Amerigo Vespucci, “a man of medium caliber [who] had never been entrusted with a fleet” gave his name to the New World because “of a combination of circumstances — through error, accident, and misunderstanding.” Zweig was living in exile in Brazil when he wrote Amerigo, shortly before committing suicide in despair over Hitler's conquest of Europe. “The paradox that Columbus discovered America but failed to recognize it, while Vespucci did not discover it but was the first to recognize it as a new continent,” he wrote, illustrates how “history will not be reasoned with.”
Mental Healers: Franz Anton Mesmer, Mary Baker Eddy, Sigmund Freud
This Plunkett Lake Press eBook is produced by arrangement with Viking, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. “Health is natural; sickness is unnatural: at least so it seems to man,” is how Stefan Zweig begins his fascinating, often entertaining examinations of Franz Anton Mesmer, Mary Baker Eddy, and Sigmund Freud. “Bodily suffering is not assuaged by technical manipulation but through an act of faith.” Mental Healers is dedicated to Albert Einstein, the scientist who had won the Nobel Prize for Physics in 1921. It first appeared in 1931 as Die Heilung durch den Geist, orHealing Through the Spirit, a title that anticipates our current interes...
Marie Antoinette: The Portrait of an Average Woman
Originally published in 1932 and for decades since one of Stefan Zweig’s most popular biographies, this “portrait of an average woman,” betrothed at fourteen, crowned queen at nineteen, and beheaded at thirty-seven, aimed “not to deify, but to humanize.” Supplementing library and archival research with psychological insight,Marie Antoinette: The Portrait of an Average Woman is a vivid narrative of France’s most famous queen, her relations with her mother Empress Maria Theresa, her husband Louis XVI, and her lover Swedish Count von Fersen, set against the backdrop of the French and Austrian courts of the ancien régime, the French Revolution and the Terror. “... the biography to end all biographies on Marie Antoinette ... [Zweig's book] possesses all the qualities of the excellent biography — directness, frankness, full exposition, picturesqueness, characterization, color and delectable readableness.” —The New York Times “Powerful, magnificent, poignant…” — The New Republic “A stupendous and superb piece of work.” — Chicago Daily Tribune
Austrian Information
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Adepts in Self-Portraiture: Casanova, Stendhal, Tolstoy
Written in the 1920s, Zweig's work of literary criticism and biography might today be titled Masters of Memoir. In it, Stefan Zweig – one of the 20th century’s most widely-published writers – describes the creative process and work of authors for whom no subject is as compelling as the material of their own lives. Adepts in Self-Portraiture examines the lives and work of three men who represent, in Zweig's view, three levels of development in autobiographical writing. The first and most basic level is evinced by Giacomo Casanova, the Venetian womanizer who records his sexual and social conquests, adventures and escapes, without attempting to analyze or even reflect on them. The second ...
Married to Stefan Zweig
An essential companion piece to Stefan Zweig's classic The World of Yesterday, this memoir addresses many of the questions that this internationally celebrated author raised but did not answer. A professional journalist and researcher in her own right who first encountered Zweig in 1908, Friderike threads her story between what Zweig called the Scylla of "exaggerated candor" and the Charybdis of self-love. She paints a detailed portrait of her famous husband from his birth into a wealthy Jewish family in late 19th century Vienna to his suicide (with his second wife) in Brazil in 1942. Married to Stefan Zweig, first published in 1946 under the title Stefan Zweig, provides a thorough overview of the writer's poems, plays, stories, biographies, essays and articles, his work habits, and his relations with editors, publishers, friends, mentors and protégés. Friderike also illuminates facets of the tumultuous context of political and social upheaval in which Zweig worked during his years in Salzburg and London. Married to Stefan Zweig is among the very small number of women’s memoirs from 20th century Central Europe and an unusual portrait of a marriage anywhere, anytime.
The Coyote Chronicles
California State University, San Bernardino opened in 1965 in San Bernardino. This chronological history records the major and minor developments in the history of the campus, between 1960, when it was created by the California Legislature, to the end of the 2009/10 academic year. Includes tables of major administrators, plus a detailed index.
Joseph Fouché: Portrait of a Politician
This biography of the man Stefan Zweig viewed as "the most perfect Machiavelli of modern times" was written in 1929, before the full impact of Nazism and Stalinism was understood. In this gripping case study of ruthlessness, political opportunism, intrigue, and betrayal, Zweig portrays Minister of Police Joseph Fouché (1759-1820), a "thoroughly amoral personality" whose only goal was political survival and the exercise of power. Zweig traces Fouché's career, beginning with his stint as a math and physics teacher in provincial Catholic schools and evolving into a moderate and then radical legislator. Fouché cultivated every political movement du jour, holding no convictions of his own. Aft...
The Struggle with the Daemon: Hölderlin, Kleist, Nietzsche
Stefan Zweig’s literary portraits of three tormented giants of German literature, Friedrich Hölderlin, Heinrich von Kleist, and Friedrich Nietzsche, contrasts them with Goethe who was anchored in place by profession, home and family. For Zweig, “everyone whose nature excels the commonplace, everyone whose impulses are creative, wrestles inevitably with his daemon” which Zweig describes as “the incorporation of that tormenting leaven which impels our being ... towards danger, immoderation, ecstasy, renunciation and even self-destruction.” In these essays, Zweig depicts the tragic and sublime lifelong struggle by three great creative minds with their respective daemons.
