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One of the most paradoxical aspects of Cuban history is the coexistence of national myths of racial harmony with lived experiences of racial inequality. Here a historian addresses this issue by examining the ways soldiers and politicians coded their discussions of race in ideas of masculinity during Cuba’s transition from colony to republic. Cuban insurgents, the author shows, rarely mentioned race outright. Instead, they often expressed their attitudes toward racial hierarchy through distinctly gendered language—revolutionary masculinity. By examining the relationship between historical experiences of race and discourses of masculinity, Lucero advances understandings about how racial exclusion functioned in a supposedly raceless society. Revolutionary masculinity, she shows, outwardly reinforced the centrality of color blindness to Cuban ideals of manhood at the same time as it perpetuated exclusion of Cubans of African descent from positions of authority.
"This major work by Philip Foner, the well-known historian, has as its chief object the re-definition of the conflict known in the U.S. historiography as the "Spanish-American" war. This very name, in his view, reflects the bias of two generations of historians who relegated Cuba to the passive position of a prize in a struggle between Spain and the United States. It is his contention that the Cuban nation, by virtue of its prolonged and successful rebellion of 1895-1898 (treated in Vol. 1) was a central protagonist of the conflict, its role ending when it was subjected to neocolonial status by the United States. In pursuing this new outlook, Professor Foner studied the sources available in ...
This final report on the Esprit project ORCHESTRA deals with the design and development of an advanced groupware environment. It provides a global perspective on the project from the technical, research and development, and marketing points of view.