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THE ATHENIAN MURDERS is a brilliant, very entertaining and absolutely original literary mystery, revolving round two intertwined riddles. In classical Athens, one of the pupils of Plato's Academy is found dead. His idealistic teacher suspects that this wasn't an accident and asks Herakles, known as the 'Decipherer of Enigmas', to investigate the death and ultimately a dark, irrational and subversive cult. The second plot unfolds in parallel through the footnotes of the translator of the text. As he proceeds with his work, he becomes increasingly convinced that the original author has hidden a second meaning, which can be brought to light by interpreting certain repeated words and images. As the main plot and also the translation of the manuscript advances, there are certain sinister coincidences, and it seems that the text is addressing him personally and in an increasingly menacing manner... THE ATHENIAN MURDERS constitutes a highly compelling, entertaining and intelligent game about the different ways we can see and read reality, about our refusal to take things 'as they are' and our need to interpret hidden meanings into everyday life.
While studying advanced physics at a prestigious European university, Elisa Robledo was invited to join a select research team on a secret project to manipulate String Theory. It was the opportunity of a lifetime for the eager young scientist—the chance to actually view monumental events from the far distant past: dinosaurs roaming the Earth, life during the Stone Age, the crucifixion of Christ. But on a remote island in the Indian Ocean, the team's experiments went horribly awry . . . and something terrible was awakened. Now, years later, Elisa's former colleagues are dying, one by one. The nightmare they created by meddling with Time is taking a shocking and gruesome toll. And only by uncovering the sinister truth behind the science can Elisa hope to survive the dark, devouring forces that mean to destroy her and the world she knows.
The police search for the killer of an artist's model amidst rumours that he will strike again during an exhibition.
Hiding dangerous discoveries that she made a decade earlier while working with a covert string theory research team, physics professor Elisa Robledo is horrified when she learns that her former team members have been brutally murdered.
Brilliantly imagined and irresistibly readable, Arthur & George is a major new novel from Julian Barnes, a wonderful combination of playfulness, pathos and wisdom. Searching for clues, no one would ever guess that the lives of Arthur and George might intersect. Growing up in shabby-genteel nineteenth-century Edinburgh, Arthur is saddled with a dad who is a disgrace and a mum he wishes to protect, and is propelled into a life of action. To his astonishment, his career as a self-made man of letters brings him riches and fame and, in the world at large, he becomes the perfect picture of the honourable English gentlemen. George is irredeemably an outsider, and has no hope of becoming such a pict...
Whether Translation Studies really matters is an important and challenging question which practitioners of translation and interpreting raise repeatedly. TS scholars, many of whom are translators and interpreters themselves, are not indifferent to it either. The twenty papers of this thematic volume, contributed by authors from various parts of Europe, from Brazil and from Israel, address it in a positive spirit. Some do so through direct critical reflection and analysis, arguing in particular that the engagement of TS with society should be strengthened so that the latter could benefit more from the former. Others illustrate the relevance and contribution of TS to society and to other disciplines from various angles. Topics broached include the cultural mediation role of translators, issues in literary translation, knowledge as intellectual capital, globalization through English and risks associated with it, bridging languages, mass media, corpora, training, the use of modern technology, interdisciplinarity with psycholinguistics and neurophysiology.
This volume is a valuable re-assessment of the Nicaraguan Revolution by a Marxist historian of Latin American political history. It shows that the FSLN (‘the Sandinistas’), with politics principally shaped by Soviet and Cuban Communism, never had a commitment to genuine democracy either within the revolutionary movement or within society at large; that the FSLN’s lack of commitment to democracy was a key factor in the way that revolution was betrayed from the 1970s to the 1990s; and that the FSLN’s lack of rank-and-file democracy left all decision-making to the National Directorate and ultimately placed that power in the hands of Daniel Ortega. Pursuing his narrative into the present, La Botz shows that, once their would-be bureaucratic ruling class project was defeated, Ortega and the FSLN leadership turned to an alliance with the capitalist class.
Influenced by anarchism and especially by the anarcho-syndicalist Georges Sorel, the political praxis of Peruvian activist and scholar José Carlos Mariátegui (1894–1930) deviated from the policies mandated by the Comintern. Mariátegui saw that new subjectivities would be required to bring about a revolution that would not recreate bourgeois or fascist structures. A new society, he argued, required a new culture. Thus, Mariátegui not only founded the Peruvian Socialist Party, but also created Amauta, a magazine that brought together the writings of the political and cultural avant-gardes. In the spirit of this approach, Bread and Beauty not only studies the political signifi cance of cultural habits and products; it also looks at the cultural underpinnings of the political proposals found in Mariátegui’s writings and actions.
In 2006, the art world has moved far beyond sheep in formaldehyde and the most avant-garde movement is to use living people as artwork. Undergoing weeks of preparation to become 'canvases', the models are required to stay in their pose for ten to twelve hours a day and, as art pieces, they are also for sale. After being exhibited, the 'canvases' can be bought and taken to the purchaser's home, where they are rented for weeks or months. Many beautiful young men and women long to become a 'canvas' - knowing they are a masterpeice and worth millions seems to make all the sacrifices worthwhile - especially if they can be 'painted' by the celebrated artist Bruno Van Tysch. But there is a darker side to this art movement when it is found that the models/works of art are sometimes used in interactive works - snuff movies, where the 'art' is filmed being tortured and killed. Van Tysch's work is being targeted and the investigators must find the killer before the displays of imitations of Rembrandt's masterpieces - the biggest exhibition of 'hyperdramatic art' yet seen - is put on show.
"This debut novel about an Irish expat millennial teaching English and finding romance in Hong Kong is half Sally Rooney love triangle, half glitzy Crazy Rich Asians high living--and guaranteed to please." --Vogue A RECOMMENDED BOOK FROM: The New York Times Book Review * Vogue * TIME * Marie Claire * Elle * O, the Oprah Magazine * Esquire * Harper's Bazaar * Bustle * PopSugar * Refinery 29 * LitHub * Debutiful An intimate, bracingly intelligent debut novel about a millennial Irish expat who becomes entangled in a love triangle with a male banker and a female lawyer Ava, newly arrived in Hong Kong from Dublin, spends her days teaching English to rich children. Julian is a banker. A banker who...