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Examines the end of the colonial era in Bolivia.
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How does a young person who volunteers to serve in the U.S. military become a war-resister who risks ostracism, humiliation, and prison rather than fight? Although it is not well publicized, the long tradition of refusing to fight in unjust wars continues today within the American military. In this book, resisters describe in their own words the process they went through, from raw recruits to brave refusers. They speak about the brutality and appalling violence of war; the constant dehumanizing of the enemy—and of our own soldiers—that begins in Basic Training; the demands that they ignore their own consciences and simply follow orders. They describe how their ideas about the justificati...
"The contributors to this volume now offer a comprehensive and innovative picture of this reception history, discussing the English translations of Cervantes's works, the literary genres which developed in his shadow, and the best-known authors who consciously emulated him. Cervantes emerges as perhaps the greatest outside influence on English literature since the Renaissance." --Book Jacket.
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Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.