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Discourse Dynamics
This volume presents a reasoned study of the discourse connectives of attainment of the French language. For the most part, the studies on connectives are based on referentialist descriptive frameworks, which are sustained more or less explicitly on what we have called the general problem of causality, the epistemological foundation of a scientific paradigm which has been used for centuries but which, in our opinion, is now outdated. In the first place, we have submitted this old paradigm to critical debate, showing the limits of its scientific validity. Next, we have placed ourselves in a non-referentialist linguistic framework, the Theory of Argumentation in the Language-System, developed ...
Spanish Literature
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Theories of Literary Realism
Realism has not only shaped important schools and periods in literary history, but has also been a fundamental constant of all literature, its first theoretical formulation being the principle of mimesis in Aristotle's Poetics. Realism can be considered by extension one of the main aspects of literary theory, the aims of which must be to define its concepts clearly and to neutralize the imprecision, polysemy, and ambiguity that often characterized the application of realism. This book explores the possibilities and limits of a concept of realism that seeks a point of equilibrium between the principle of the autonomy of the literary work vis-a`-vis reality and the complex relations that the work clearly establishes with this reality. It acknowledges that it is a personal response to the poststructuralist crisis in literary theory. By concentrating on the study of the literary work of art as a verbal construction, the great Continental and Anglo-American tradition of formalism and New Criticism has ended up neglecting the second, mimetic aspect of the literary problematic, thus dissociating literature from life.
Pragmatics
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Mímesis y siglo XX
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Procesos de la poética clasicista
La Poética que se asoma al siglo XIX se considera comúnmente una disciplina pronta a la desaparición o, al menos, a la disolución interna de sus principios seculares. En este estudio se analizan las ideas poéticas con las que nuestros tratadistas afrontaron la impronta rupturista del Romanticismo con voluntad integradora entre la perennidad de aquellos principios y la inexcusable acomodación a la Modernidad
El español en el mundo 2009
El Instituto Cervantes ha celebrado, en el año 2009, sus primeros dieciocho años como institución pública al frente de la promoción y el uso internacional del español, y de la difusión de la cultura en lengua española, así como de las otras lenguas de España, en el exterior. El 21 de marzo del año 1991 se creaba este organismo público con unas funciones específicas, hasta entonces no desempeñadas por ninguna otra entidad, que velarían por la promoción de la enseñanza, el estudio y el uso del español como lengua extranjera en el mundo, y por la difusión del patrimonio cultural de todos los países de habla española. También en 2009 se ha conmemorado otro aniversario signi...
The Poetry of Juan Ramón Jiménez.
The Spanish poet Juan Ramón Jiménez (1881–1958; Nobel laureate 1956) wrote at a key moment in literary history. Since Jiménez’s lyrical output covers the poetic tradition from Romanticism through Symbolism to the Avant-Gardes, his work can be regarded as a condensation of the modern paradigm. Julio Jensen investigates the lyrical subject appearing in Jiménez’s poetry as exemplary of the notion of modern subjectivity. He does so by assuming a historical correlation between literature and philosophy in the sense that if philosophical discourse conceptualizes the prevailing understanding of the human being at a given moment, literary discourse represents it. Modern thought does not ac...
