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Jose Lezama Lima
Recognized as one of the most influential Latin American writers of the twentieth century, José Lezama Lima, born in Cuba in 1910, is associated with the Latin American neo-baroque and has influenced several generations of writers in and out of Cuba, including such prominent poets as Severo Sarduy and Néstor Perlongher. Lezama Lima's vision of America in a continental sense stands at the fertile confluence of indigenous, African, and European influences. A crucial experimental writer, he has been known in English chiefly for his novel Paradiso, while little of his poetry has been translated. This anthology is a comprehensive introduction to Lezama Lima's poetry. It presents for the first time in English a generous selection of his poems, as well as an interview, essays, and critical work on his poetics. Ernesto Livon-Grosman has selected elegant and precise translations by James Irby, G.J. Racz, Nathaniel Tarn, and Roberto Tejada. His insightful introduction places the poet in the wider context of Cuban and Latin American cultural history.
José Lezama Lima's Joyful Vision
Cuba’s José Lezama Lima became the most controversial figure in the flowering of the Latin American novel with the 1966 publication of Paradiso. Hailed as a seminal writer of breathtaking originality by Julio Cortázar, Octavio Paz, and Mario Vargas Llosa, Lezama was also attacked by the Castro regime and others for his stylistic obscurity, erotic descriptions, and violation of literary norms. Indeed, his experimental fiction, written on the very boundaries of the novelistic genre, resists classification. José Lezama Lima’s Joyful Vision, a much-needed critical study of Paradiso, Oppiano Licario, and Lezama’s essays, is thus an exploration in reading, one that highlights and preserve...
The Poetic Fiction of José Lezama Lima
Lezama Lima's works undoubtedly form an important and major body of literature, and critical interest in his publications continues to grow. However, his challenging and innovative writings require patient reading if one is to fully enjoy their aesthetic qualities. International fame and recognition did not come to Lezama Lima until late in his career because of the hermetic nature of his works.
Writing of the Formless
In this book, Jaime Rodríguez Matos proposes the “formless” as a point of departure in thinking through the relationship between politics and time. Thinking through both literary and political writings around the Cuban Revolution, Rodríguez Matos explores the link between abstract symbolic procedures and various political experiments that have sought to give form to a principle of sovereignty based on the category of representation. In doing so, he proposes the formless as the limit of modern and contemporary reflections on the meaning of politics while exploring the philosophical consequences of a formless concept of temporality for the critique of metaphysics. Rodríguez Matos takes the writing and thought of José Lezama Lima as the guiding thread in exploring the possibility of a politicity in which time is imagined beyond the disciplining functions it has had throughout the metaphysical tradition—a time of the absence of time, in which the absence of time no longer means eternity.
From Modernism to Neobaroque
At the same time, the book discusses different issues in Hispanic cultural history that influenced Lezama's reading of Joyce, describing a period of Joycean enthusiasm that arose in Hispanic American letters on the publication of the first Spanish translation of Ulysses."--BOOK JACKET.
Paradiso...a Novel
In the wake of his father's premature death, Jose Cemi comes of age in a turn of the century Cuba described in the Washington Post as "an island paradise where magic and philosophy twist the lives of the old Cuban bourgeoisie into extravagant wonderful shapes." Copyright © Libri GmbH. All rights reserved.
Reading Lezama's Paradiso
This book focuses on the novel Paradiso of Cuban author José Lezama Lima (1910-1976), and in particular on the protagonist José Cemí. It examines the development of Cemí according to the three distinct phases detailed by Lezama: the 'placentario' world of family protection, the awakening to the exterior world and the subsequent friendships made, and the eventual encounters with Oppiano Licario. Cemí's progression, and his growing ability to interpret and create texts, is analysed as analogous to the reader's progression through the novel. In this respect, both the reader and Cemí are obliged to interpret the complex symbolism according to interpretative skills acquired from the text itself. In a similar fashion, the connection between Cemí's 'guide' Licario, and the author Lezama is investigated. By exploring these connections between reader and protagonist, author and character, the author of this work suggests a radical and hitherto unexplored approach to the text of Lezama.
Writing of the Formless
This book proposes the "formless" as a way of thinking through the impasses of contemporary politics. The writing of the formless, as it can be traced in the work of Lezama Lima and the Cuban Revolution, is the point of departure in thinking through the relationship between politics and time.
Assimilation/generation/resurrection
"Cuban author Jose Lezama Lima (1910-76) produced some of the most enigmatic and important poetry in the Spanish language. He did this during a turbulent moment in Cuban history - a period of social unrest, radical change in political systems, and attempts at cultural self-definition. While some have argued that his poetry evades these circumstances, Assimilation/Generation/Resurrection adopts a contextual approach and reveals the extent of Lezama's engagement with the defining political and cultural issues of his day. It also lays bare the underlying connection of this poetry to a weave of intertexts - Lezama's productive interaction with several traditions." "Intimidating in its philosophi...
