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In this ambitious new interdisciplinary study, Useche proposes the metaphor of the social foundry to parse how industrialization informed and shaped cultural and national discourses in late nineteenth- and early twentieth-century Spain. Here, Useche offers fresh readings of canonical writers such as Emilia Pardo Bazán, Concha Espina, Benito Pérez Galdós, Vicente Blasco Ibáñez, and José Echegaray as well as lesser known authors.
This book provides a general survey of the life and work of the Spanish philosopher and essayist Ortega y Gasset (1183-1955), author of the widely read The Revolt of the Masses. Dr Dobson divides his study into sections devoted to Ortega's political thinking and to his philosophy, rooting these in the context of contemporary Spain and discussing the wider implications of their influence. He examines Ortega's position with regard to the Civil War, his ambivalent espousal of socialism, his emphasis on the importance of the select individual in the modernisation of society and creation of a nació vital; the appropriation of his ideas by Primo de Rivera in the cause of fascism. This book is intended to be accessible to both Hispanists and general readers with an interest in literature, history, intellectual and political thought and philosophy.
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They say that laughter is a purely human phenomenon, so exclusively ours that we brook no intruders except, of course, for the laughing hyena, the laughing jackass (officially known as the kookaburra bird of Australia), laughing matters, laughing gas, or the perennial laughing stock. But what is humor, that funny thing so varied in its colors and tones, so encompassing in its themes, so different from time to time and place to place? And when we poke fun, at whom are we really laughing? At Whom Are We Laughing? Humor in Romance Language Literatures is the selective product of a multi-national gathering of scholars sponsored by Hofstra University in Hempstead, New York, to explore humor acros...
José Ortega y Gasset (1883–1955) was a Spanish philosopher and essayist best known for The Revolt of the Masses, first translated into English in 1932. In it, Ortega critiques a populist deformation of democracy by the rise of a “mass mentality” characterized by selfishness, a lack of curiosity, and a general indifference to the opinions and attitudes of others. However, as Brendon Westler makes clear, we need to look beyond Ortega’s arguments about populism and democracy in his most famous work to recover the philosopher’s expansive political outlook and to identify his valuable contributions to the history and advancement of liberalism. Westler’s book reconstructs Ortega’s p...
Over ten years in preparation, A Pragmatist Philosophy of Life in Ortega y Gasset reveals how open, adaptable, and inventive was pragmatism as Ortega elaborated its philosophical implications and applications for Spain, Europe, and the Americas. It is based on extensive use of the twelve volumes of Ortega's Obras Completas, the eighty microfilm reels of his archive in the Library of Congress, and his large private library in Madrid.
This book explores women’s editorial and salon activities in Southern Europe and provides a comparative view of their practices. It argues that women in Spain, Italy, Portugal and Greece used their double role as editors and salonnières to engage with foreign cultures, launch the careers of promising young authors and advocate for modernization and social change. By examining a neglected body of periodicals edited between 1860 and 1920, this book sets out to explore women’s editorial agendas and their interest in creating a connection between salon life and the print press. What purpose did this connection serve? How did women editors use their periodicals and their salons to create opp...
Bly's principal revelation is that Galdós deliberately and consistently used this secondary type to emphasize the significance of the major plot developments and to underline the strengths or weaknesses of principal characters. In filling these roles the eccentric old men develop from comic shallow types into more complex secondary characters, men of insight and wisdom, who occupy a pivotal position in the novels.
He aquí a Unamuno, Baroja, don Ramón del Valle-Inclán, Benavente y los hermanos Machado, entre muchos otros. He aquí su ingente labor literaria, sus inesperadas, sus deslumbrantes frases y actitudes. He aquí la atractiva sugestión de sus discursos, sus voces caudalosas que desbordan y enriquecen la realidad, porque la obra de la generación del 98 no sólo fue escrita, sino que fue también oral. Y esta última, por su misma libertad discursiva, por su fugacidad, resulta más personal, más reveladora de sus propias personalidades. Sí, esta obra pasajera, anecdótica, que saltaba en el arco de la ruidosa tertulia, en la discusión ateneísta, en la rabia de un momento de acaloramiento...
Published by Boydell & Brewer Inc.