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Posada's Popular Mexican Prints
273 great 19th-century woodcuts: crimes, miracles, skeletons, ads, portraits, news cuts. Table of contents includes Calaveras; Disasters; National Events; Religion and Miracles; Don Chepito Marihuano; Chapbook Covers; Chapbook Illustrations; and Everyday Life.
Posada
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Viva Posada!
Because of the high quality and the quantity of his art, Jose Guadalupe Posada is the one Mexican printmaker who has acquired posthumous and international fame. Posada was at his peak at the turn of the 20th century, during the closing years of the Diaz dictatorship. He has long been recognized as one of the personifications of the ensuing Mexican Revolution, which he did not live to se e completed. He illustrated many broadsides of revolutionary ballads, printed on cheap paper and sold for centavos in the streets. [from the Introduction by Carlos Cortez] Published on the 150th anniversary of Posada's birth (1852-2002), this book features 121 of the finest works by the great popular engraver...
Posada
n the occasion of Jose Guadalupe Posada's (1852-1913) lucentous centenary, a group of historians and writers reflect on different aspects of his life and work. The book contains essays written by Juan Villoro, Helia Bonilla, Montserrat Gali and Rafael Barajas. Added to this is the study by Mercurio Lopez Casillas, which compiles a significant part of Posada's work, organizing it in chronological order and by stamping techniques. It also contains two sections dealing with the technical transition from lead to zinc and examples of the iconographic sources that served as models for the engraver. It also collects about a thousand reproductions of original periodic prints and dozens of unpublished prints. For the quality of the studies, the design, the selection of work and the editorial care Posada: 100 years of skulls is outlined as the indispensable work of the centenary. 868 illustrations
Posada
Originally published in 1930, Posada: Monografía is a facsimile edition of the first monograph of the great Mexican illustrator and engraver José Guadalupe Posada (1852-1913). Reprinted to coincide with the 100th anniversary of his death, reproduces more than 400 of the most iconic prints from Posada's vast output, collected by Pablo O'Higgins from those that could be located and identified at the time. Posada and Manuel Manilla--a talented engraver who greatly influenced Posada--were the two artists of their day who best interpreted the lives and social attitudes of Mexican people. Posada, in particular, is in the great tradition of illustrators who double as political and social commenta...
Posada
Now available for the first time in English, this volume brings the distinctly Mexican flavor of José Guadalupe Posada's work home to the reader with the striking design of its uncoated pages in the three different colors of the Mexican flag: green, white and red. Interspersed with a varied selection of the artist's engravings--broadsheets, corridos, chapbooks, vignettes, calaveras, games and a long etcetera of miscellaneous material featuring subjects like bullfights, Day of the Dead and crimes of passion--are two long texts by recognized authorities on the work of Posada. One essay deals with Posada's place in the wider tradition of graphic art and engraving, even as it follows his remark...
Funny Bones
Funny Bones tells the story of how the amusing calaveras—skeletons performing various everyday or festive activities—came to be. They are the creation of Mexican artist José Guadalupe (Lupe) Posada (1852–1913). In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico’s Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe’s, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity. The book includes an author’s note, bibliography, glossary, and index.
