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Spanning the centuries, from the seventeenth to the twentieth, and ranging across cultures, from England to Mexico, this collection gathers together important statements on the function and feasibility of literary translation. The essays provide an overview of the historical evolution in thinking about translation and offer strong individual opinions by prominent contemporary theorists. Most of the twenty-one pieces appear in translation, some here in English for the first time and many difficult to find elsewhere. Selections include writings by Scheiermacher, Nietzsche, Ortega, Benjamin, Pound, Jakobson, Paz, Riffaterre, Derrida, and others. A fine companion to The Craft of Translation, this volume will be a valuable resource for all those who translate, those who teach translation theory and practice, and those interested in questions of language philosophy and literary theory.
The third volume in the History of the Literary Cultures of East-Central Europe focuses on the making and remaking of those institutional structures that engender and regulate the creation, distribution, and reception of literature. The focus here is not so much on shared institutions but rather on such region-wide analogous institutional processes as the national awakening, the modernist opening, and the communist regimentation, the canonization of texts, and censorship of literature. These processes, which took place in all of the region’s cultures, were often asynchronous and subjected to different local conditions. The volume’s premise is that the national awakening and institutional...
Intellectuals and the Communist Idea describes how the Communist ideology penetrated into Czech culture and politics from the dawn of the twentieth century into the late 1930s, just before the outbreak of WW II in Europe. Based mainly upon the research of contemporary primary sources, the analysis examines the complex issue of personal reasons and individual motivations, appealing slogans, and ideological and power peripheries connected with the formation of the relationship between the newly-founded Communist Party in Czechoslovakia and the left-wing artists and intellectuals declaring themselves Marxists. The work follows two main paths: the first is marked by the melting of the pre-war (m...
The Pavlac Legacy is an adventure based on the true facts of a journey that reaches out to the people of Prague, Berlin, London, New York, Boston, Washington, Cincinnati, and finally, those of Aspen, Colorado. In 1865, a Torah is created by a poor scribe and his young son. It is done at the behest of a fellow countryman, the very wealthy and important Prague resident, David Pavlac. This great gift first binds the two families and then, through the years, involves people of many religious persuasions, people of royalty, people of great wealth, and the poorest of people. Young loves blossom, and later, old loves provide the needed strength to keep moving forward. Wars and hatred and death slowly, but relentlessly, change the lives of all in an ever growing circle of people. Tears vie with laughter as each new adversity unfolds. The ability to rise and fight, finds few with the courage to stand and battle. But others, be they young or old, emerge who accept the challenge. The 1865 creation finds its ultimate home in the mountains of Aspen, and with that, comes survival and a sense of future hope.
Though frequently acknowledged as a remarkable phase within Czech literary history, the poetic outpouring in the build-up to and aftermath of the Munich Agreement has received comparatively little rigorous scholarly attention to date. In this study, Frances Jackson seeks redress to the balance, drawing on a range of theoretical instruments, including the idea of the event in both a narratological and more philosophical sense, and notions of rhetoric and authenticity. She establishes věrnost ("faith(fulness)", "loyalty", "verity", "troth" etc.) as the distinguishing feature of collections such as Seifert's Zhasněte světla or Halas' Torzo naděje and demonstrates how this can be constructed poetically. Rather than viewing the period as a watershed moment per se, the study also situates its output within the context of late modernism, highlighting important parallels with contemporaneous English-language works.
Chicago was once the second-largest Bohemian city outside the Czech lands. The Czechs first settled, serendipitously, behind the notorious O'Leary barn. Spared the Great Fire of 1871, they were displaced several blocks south by the ensuing land crush. There they built more permanent quarters in the community that became known as Pilsen, a neighborhood whose name and architecture survive to recall its Bohemian origins. The thriving Czechs soon began a century-long move westward from Lawndale to Cicero to Berwyn, and today they flourish across the western suburbs. From the desolation of the 1915 Eastland disaster, in which hundreds of victims were of Czech descent, to the triumphant Depression-era election of Czech-born mayor Antonín C?ermák, Czechs of Chicagoland depicts how the Czech community and its great leaders, benevolent societies, and charitable and social organizations have shaped and continue to shape the course of Chicago's history.
This is the first comparative study of literature written by writers who fled from East-Central Europe during the twentieth century. It includes not only interpretations of individual lives and literary works, but also studies of the most important literary journals, publishers, radio programs, and other aspects of exile literary cultures. The theoretical part of introduction distinguishes between exiles, émigrés, and expatriates, while the historical part surveys the pre-twentieth-century exile traditions and provides an overview of the exilic events between 1919 and 1995; one section is devoted to exile cultures in Paris, London, and New York, as well as in Moscow, Madrid, Toronto, Bueno...
Bulgaria, Hungary, Romania, the Czech Republic, and Slovakia share a remarkably similar trajectory on their individual paths to becoming the nations they are today. Each had ties to the Roman, Byzantine, and Ottoman empires in earlier times, all became Eastern-bloc countries in the 20th century, and all successfully emerged from Communist rule in the late 20th and early 21st centuries. These multi-layered landswhere folk traditions still exist alongside the hallmarks of modern life and the remnants of communist ruleare the subjects of this sweeping tome.
A comprehensive reader on the Czech literary avant-garde. This book offers a wide-ranging selection of literary, theoretical, and documentary sources from one of the most dynamic and original European avant-garde traditions: that of the first Czechoslovak Republic and of the Bohemian lands. The Czech avant-garde is in many respects the ideal “alternative” avant-garde to present in detail to a wider readership: it tracks Central European developments and was often influential internationally while being deeply ingrained in particular cultural dynamics that produced original forms. This volume returns interwar Czech avant-garde writings to their place as a firmly embedded component of the European avant-garde. This volume should be on hand to every scholar or reader interested in avant-garde art.
Reflections of Prague is the story of how a Czech Jewish family become embroiled in the most tragic and tumultuous episodes of the twentieth century. Through their eyes we see the history of their beloved Prague, a unique European city, and the wider, political forces that tear their lives apart. Their moving story traces the major events, turmoil, oppression and triumphs of Europe through the last hundred years – from the Austro-Hungarian Empire to the First World War; from the vibrant artistic and intellectual life of Prague in the times of Kafka, the Capek Brothers and Masaryk to years of hunger in a Polish ghetto and the concentration camps of Hitler; from the tyrannous rule of Stalin ...