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This book studies the emergence, in the late 1960s and 1970s, of a sophisticated body of gay fiction in Catalan, and examines the relation between the representation of homosexuality and the discourses on national identity that legitimate modern Catalan literature. Gay fiction, argues the author, reveals a tension between the nation and the body in Catalan literature: Catalonia is a nation different from Spain, a cultural and political minority within Europe; but the existence of sexual minorities within its boundaries reveals its inner complexity, which resists homogenization. Catalonia is another country in more ways than one. Drawing on a variety of critical discourses (gay theory, psycho...
Reveals how Spanish film musicals, long dismissed as unworthy of critical scrutiny, illuminate Spain's relationship to modernity
Gema Pérez-Sánchez argues that the process of political and cultural transition from dictatorship to democracy in Spain can be read allegorically as a shift from a dictatorship that followed a self-loathing "homosexual" model to a democracy that identified as a pluralized "queer" body. Focusing on the urban cultural phenomenon of la movida, she offers a sustained analysis of high queer culture, as represented by novels, along with an examination of low queer culture, as represented by comic books and films. Pérez-Sánchez shows that urban queer culture played a defining role in the cultural and political processes that helped to move Spain from a premodern, fascist military dictatorship to a late-capitalist, parliamentary democracy. The book highlights the contributions of women writers Ana María Moix and Cristina Peri Rossi, as well as comic book artists Ana Juan, Victoria Martos, Ana Miralles, and Asun Balzola. Its attention to women's cultural production functions as a counterpoint to its analysis of the works of such male writers as Juan Goytisolo and Eduardo Mendicutti, comic book artists Nazario, Rubén, and Luis Pérez Ortiz, and filmmaker Pedro Almodóvar.
Barcelona's Vocation of Modernity is a study of the emergence and development of the cultural image of the Iberian peninsula’s foremost modern city.
These interdisciplinary essays focus on how cultural practices help form the Spanish identity, by introducing a range of theoretical debates and exploring specific areas of 20th century Spanish culture.
In an ambitious work of wide-ranging literary, visual, and historical allusion, Jill H.Casid examines how landscaping functioned in an imperial mode that defined and remade the "heartlands" of nations as well as the contact zones and colonial peripheries in the West and East Indies. Revealing the colonial landscape as far more than an agricultural system - as a means of regulating national, sexual, and gender identities - Casid also traces how the circulation of plants and hybridity influenced agriculture and landscaping on European soil and how colonial contacts materially shaped what we take as "European."
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
This book offers a radically new account of the rich and varied culture of contemporary Spain. It focuses on three intellectuals who chronicle contemporary life (including journalist Francisco Umbral); three filmmakers who engage with the many nationalisms of the Spanish state (Victor Erice,Bigas Luna, and Julio Medem); and three crucial topics that are expressed in many media (the replaying of history, the rise and fall of the city, and the practice of everyday life). Ranging from the ethnographic photography of Cristina Garcia Rodero to the high tech architecture of SantiagoCalatrava and from the hyperrealist painting of Antonio Lopez to the neo-flamenco dance of Joaquin Cortes, this book is also the first to draw on theorists of the intellectual field, the production of space, and the arts of bricolage (Pierre Bourdieu, Henri Lefebvre, and Michel de Certeau). Refutingthe charge that contemporary Spanish culture is trivial or superficial, this book argues that it is fully engaged in the aesthetic and historical project of modernity.
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
This essay collection examines the changing cultural, political and physical landscape of Spain as represented in Spanish crime fiction of the last three decades. The first several essays focus on crime fiction set in Barcelona and look at, among other topics, the symbiotic relationship between the city and the detective in Francisco Gonzalez Ledesma's long-running Inspector Mendez series, Manuel Vazquez Montalban's treatments of the 1992 Summer Olympic Games, and place and identity in Alicia Gimenez-Bartlett's Petra Delicado series. Other essays examine regional and cultural illiteracy in Jorge Martinez Reverte's Galvez series and Spain's changing urban centers as represented in Andreu Martin's El blues de la semana mas negra.