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L’autor, professor de literatura catalana a la UAB, analitza el sistema teatral de la Barcelona del període bèl lic i revolucionari del 1936 al 1939. La interrelació entre els àmbits sindical, polític i específicament teatral permet d’oferir, per primer cop, un estudi exhaustiu de l’escena catalana del trienni.
In the wake of the end of the Cold War and worldwide protests against corporate globalization, anarchism continues to attract new adherents among both aging leftists and new generations of young radicals. Arena aims to tap into this revived interest in libertarian ideas, culture and practice by providing a dynamic focal point; a journal that brings together good, stimulating and provocative writing and scholarship on libertarian culture of all kinds. Designed for a general, intelligent, popular readership as well as for scholars and aficionados working in the area, the first issue of Arena focuses on film and video - historical and modern - and future issues will cover the entire spectrum of the arts; film, theatre, and art criticism as well as political theory and practice, reportage, letters, reviews, and unpublished fiction and nonfiction.
"[These volumes] are endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
Silent film was universally understood and could be exported anywhere. But when “talkies” arrived, the industry began experimenting with dubbing, subtitling, and dual track productions in more than one language. Where language fractured the European film market, for Spanish-speaking countries and communities, it created new opportunities. In The Rise of Spanish-Language Filmmaking, Lisa Jarvinen focuses specifically on how Hollywood lost ground in the lucrative international Spanish-speaking audience between 1929 and 1939. Hollywood studios initially trained cadres of Spanish-speaking film professionals, created networks among them, and demonstrated the viability of a broadly conceived, ...
This book examines the cultural production of Catalan intellectuals in Cuba through a reading of texts and journeys that show the contrapuntal relationship between transcultural identities and narratives of nationhood. Both the concept of transculturation and its instrumentalization to tame conflict within nationalist projects are problematic. By uncovering and examining the contradictions between the fluid character of identities in the Cuban context of the first half of the twentieth century and nationalist discourses, within both the Catalanist community of Havana and Cuban society, this book joins wider debates about identities.
How can conflicts between various nationalist/ethnic groups be reduced? Combining theory with case studies of Spain and Ireland, Neal G. Jesse and Kristen P. Williams develop an argument favoring a solution that links resolving issues of identity and perceptions of inequality to the establishment of cross-national, democratic institutions. These institutions can affect deeply held attitudes by promoting overlapping identities and pooling sovereignty. Overlapping identities reduce tension by creating an atmosphere where different ethnic groups lose their strict definitions of Self and Other. Pooling sovereignty across a number of international (and national) representative bodies leads to increased access to governmental policymaking for all parties involved, with each nationalist/ethnic group having a stake in government. Increased access, moreover, reduces threat perceptions and ethnic security dilemmas, and increases trust—all of which play an important role in overcoming such conflicts.
Comintern Aesthetics shows how the cultural and political networks emerging from the Comintern have continued, even after its demise in 1943.
Estudi sobre la trajectòria política i socioprofessional de Daniel Domingo Montserrat que va moure’s en cercles separatistes, republicans, marxistes i fins i tot anarcosindicalistes. A la vegada, la seva experiència intel·lectual evidencia les relacions que el comunisme i el separatisme català van establir amb algunes de les avantguardes culturals de les dues postguerres mundials: el surrealisme i l’existencialisme.
Born and brought up in Poland bilingually in French and Polish but living for most of his professional life in England and writing in English, Joseph Conrad was, from the start, as much a European writer as he was a British one and his work – from his earliest fictions through Heart of Darkness, Nostromo and The Secret Agent to his later novels– has repeatedly been the focal point of discussions about key issues of the modern age. With chapters written by leading international scholars, this book provides a wide-ranging survey of the reception, translation and publication history of Conrad's works across Europe. Covering reviews and critical discussion, and with some attention to adaptations in other media, these chapters situate Conrad's works in their social and political context. The book also includes bibliographies of key translations in each of the European countries covered and a timeline of Conrad's reception throughout the continent.