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The work of Sert is a clear reinterpretation of Mediterranean architecture: the brise-soleil -- as a kind of revitalizing of the wall, the building taken into its own self-reflection, turned to the inside as a place of repose and introspection -- in short, the patio house. Buildings like Sert's own in Cambridge, the Miro Foundation in Barcelona or the Maeght Foundation in Saint Paul-de-Vence -- all of these provide examples of the way Sert profoundly worked these concepts in his architecture. The treatment of light is another fundamental aspect in the architecture Sert developed. The highly characteristic skylights that adorn his pieces are elements that capture the natural light and reflect it indirectly, diffusing it through the building's interior. Book jacket.
"Josep Lluais Sert (1902-1983) was the last president of CIAM (International Congresses of Modern Architecture) and dean of the Harvard University Graduate School of Design from 1953 to 1969, where he founded the discipline of urban design. His writings offer a new view of his activities in architecture and urban planning, and provide the intellectual context for his own work as an architect, much of which is still controversial and often poorly understood. This book includes 16 essays dating from 1951 to 1977, ten of which are previously unpublished. The Writings of Josep Lluais Sert illuminates Sert's contributions to 20th-century architecture, urban design, and design pedagogy, and makes clear the similarities and differences between his ideas and those of his mentor, Le Corbusier. The essays reveal Sert's advocacy both for pedestrian urbanism and for planning in relation to the natural environment, ideas that have become important issues in contemporary urban design. Each text is introduced by the editor, Eric Mumford, a scholar of CIAM, Sert, and modern urbanism."--Publisher's website.
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Josep Lluis Sert is certainly one of the most international of Spain's modern architects. The exhibition 'Sert 1928-1979: Half a Century of Architecture' showcases not only his work as an architect but also his impact on town planning. Revisiting archives, bringing new materials and results, the buildings explain themselves, the circumstances that made them possible, and the footnotes that enrich them and situate them in time.
This series was the winner of the American Institute of Architects' prestigious "Award for Excellence in International Book Publishing". Each volume in this series is introduced with an essay on the architect, and a chronological or stylistic presentation of their most outstanding buildings and projects. No other series provides such a complete and concise summary of the world's leading architects' works. The volumes are fully illustrated in black-and-white with photos and project renderings.
This book examines the emergence and evolution of the discipline of urban design as articulated through the work of Josep Lluís Sert (1902–1983), one of its most influential practitioners. Sert was noted for his city planning and urban development projects in Europe, South America, and the United States, and the master plans of his later career were significant for their integration of natural landscape features into the urban building scheme. With essays by leading scholars and a wide selection of archival materials, illustrations, plans, and maps, this book provides a timely look at the man who advocated the idea of “urban consciousness” and an architecture that dealt with the total environment--well before these concepts became commonplace.
Inspired by the early style of Corbusier and ideas on Mediterranean architecture espoused by the likes of Bernard Rudofsky and Josep Lluís Sert, a younger generation of architects found the perfect conditions to explore the future of the Mediterranean house in Cadaqués?a small fishing village on the Spanish Costa Brava that was also home, or the summer meeting ground, for some of the past century?s greatest artistic figures, including Dalí, Picasso, Miró, and Duchamp.0In this new book, photos from the period show the distinctive style and environment of Cadaqués and 22 homes designed by Federico Correa, Alfonso Milà, José Antonio Coderch, Francesc Joan Barba Corsini, Peter Harnden, Lanfranco Bombelli, Oscar Tusquets, and Lluís Clotet. Edited by Nacho Alegre, it features an introduction by Oscar Tusquets and also tells of the friendships and influences that existed between this group of architects, and how their architecture came to be.
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