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Eighteen-year-old Hilda, known as "the girl in the gold bikini" when she swam at her country club in Belo Horizonte, Brazil, abruptly leaves the gilded life to take up residence in room 304 of the Hotel Marvelous—as a prostitute. There she becomes Hilda Hurricane, an erotic force of nature no man can resist. The exception is reporter-narrator Roberto Drummond, who attempts to unravel the mystery of why the girl in the gold bikini would forego a comfortable life to join the world's oldest profession. While some in Belo Horizonte cheer Hilda's liberated lifestyle, others seek to have her moved outside the city limits, and a would-be saint cannot seem to finish the exorcism he began outside t...
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.
This book deals with threats to the sustainability of specific Caribbean states in the face of the concerted threats posed by the illicit drug trade, the illicit gun trade, human smuggling and the sex trade. These concerted threats have impacted the epidemiology of HIV/AIDS in the Caribbean creating a conjunction of forces that is now the single most potent threat to Caribbean state survival and sustainability.
An anthology made up of a number of texts translated by the editor from their original Catalan.
This volume was first published by Inter-Disciplinary Press in 2012. The chapters assembled in this e-Book are a taste of an ongoing discussion on evil and magic which promises to last as long as ‘the only thing necessary for the triumph of evil is for good men to do nothing’ and while the realisation that ‘magic is believing in yourself: if you can do that, you can make anything happen’ does not become a global motto. The first group of chapters, collected in Part I, addresses the ethics and effects of translating magic into literary representations, as well as real-life current practices, of creativity and personal change on the one hand, and of the harmful, malevolent infliction o...
The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre.
Includes entries for maps and atlases.
The Routledge Companion to Applied Musicology brings together academics, artist-researchers, and practitioners to provide readers with an extensive and authoritative overview of applied musicology. Once a field that addressed music’s socio-political or performative contexts, applied musicology today encompasses study and practice in areas as diverse as psychology, ecomusicology, organology, forensic musicology, music therapy, health and well-being, and other public-oriented musicologies. These rapid advances have created a fast-changing field whose scholarship and activities tend to take place in isolation from each other. This volume addresses that shortcoming, bringing together a wide-ranging survey of current approaches. Featuring 39 authors, The Routledge Companion to Applied Musicology falls into five parts—Defining and Theorising Applied Musicology; Public Engagement; New Approaches and Research Methods; Representation and Inclusion; and Musicology in/for Performance—that chronicle the subject’s rich history and consider the connections that will characterise its future. The book offers an essential resource for anyone exploring applied musicology.
Joan Samsó fa per primera vegada la història de la lluita silenciosa a favor de la cultura catalana duta a terme entre el 1939 i el 1951, fonamentalment a la ciutat de Barcelona. En aquest segon i darrer volum tracta de les revistes i de les editorials que continuaren, en la clandestinitat o en la tolerància sempre relativa, la vida de la cultura catalana.