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Protest and Reform
The social novel in nineteenth-century Britain has been considered the effort of a predominantly male canon of writers. In this ground-breaking study, originally published in 1985, Joseph Kestner challenges that assumption, arguing that it was a succession of female writers – women often meriting only a footnote in literary history – who initiated and advanced the tradition of using narrative fiction to register protest, expose abuses, and promote reform. Kestner explores the contributions to Victorian social policy by the fiction of these neglected authors (Hannah More, Elizabeth Stone, Frances Trollope, Charlotte Tonna, Camilla Toulmin, Geraldine Jewsbury, Fanny Mayne, Julia Kavanagh, ...
Masculinities in British Adventure Fiction, 1880–1915
Making use of recent masculinity theories, Joseph A. Kestner sheds new light on Victorian and Edwardian adventure fiction. Beginning with works published in the 1880s, when writers like H. Rider Haggard took inspiration from the First Boer War and the Zulu War, Kestner engages tales involving initiation and rites of passage, experiences with the non-Western Other, colonial contexts, and sexual encounters. Canonical authors such as R.L. Stevenson, Rudyard Kipling, Joseph Conrad, and Olive Schreiner are examined alongside popular writers like A.E.W. Mason, W.H. Hudson and John Buchan, providing an expansive picture of the crisis of masculinity that pervades adventure texts during the period.
Sherlock's Sisters
Sherlock's Sisters: The British Female Detective, 1864-1913 examines the fictional female detective in Victorian and Edwardian literature. This character, originating in the 1860s, configures a new representation of women in narratives of the nineteenth and twentieth centuries. This analysis explores female empowerment through professional unofficial or official detection, especially as this surveillance illuminates legal, moral, gendered, institutional, criminal, punitive, judicial, political, and familial practices. This book considers a range of literary texts by both female and male writers which concentrate on detection by women, particularly those which followed the creation of Sherloc...
Sherlock's Men
This is a study of masculinity in the works of Arthur Conan Doyle, particularly the Sherlock Holmes stories. The work is divided into three sections, focusing on aspects of masculinity in three eras - the Victorian Holmes, the Edwardian Holmes and the Georgian Holmes.
Mythology and Misogyny
19th century British classical subject or mythological paintings have traditionally been viewed as little more than decorative canvases. In this work, the author claims these paintings are something more - an integral part of a broad-based value system that reinforced patriarchal dominance by inculcating misogynistic and gynophobic attitudes among the broad public.
Opera Encore
For over twenty years, Joseph A. Kestner wrote for Opera News and other publications. Collected for the first time, Kestner's essays explore the creation, influence, context, and meaning of the world's most famous operas as well as hidden gems. For those new to opera, Opera Encore provides the perfect introduction; for longtime opera fans, these articles will deepen your understanding and appreciation of your favorite works.
Masculinities in Victorian Painting
This study examines the construction of masculinity in culture based on an analysis of pictorial representations of the male in many contexts: social; historical; legal; literary; institutional; anthropological; educational; marital; imperial; and aesthetic. Artists featured include Burne-Jones.
The Edwardian Detective
This title was first published in 1999 & examines the range of detective literature produced between 1901 and 1915 in Britain, during the reign of Edward VII and the early reign of George V. The book assesses the literature as cultural history, with a focus on issues such as legal reform, marital reform, surveillance, Germanophobia, masculinity/femininity, the "best-seller", the arms race, international diplomacy and the concept of "popular" literature. The work also addresses specific issues related to the relationship of law to literature, such as: the law in literature; the law as literature, the role of literature in surveillance and policing; the interpretation of legal issues by literature; the degree to which literature describes and interprets law; the description of legal processes in detective literature; and the connections between detective literature and cultural practices and transitions.
