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A revelatory study of one of the 18th century's greatest artists, which places him in relation to the darker side of the English Enlightenment Joseph Wright of Derby (1734-1797), though conventionally known as a 'painter of light', returned repeatedly to nocturnal images. His essential preoccupations were dark and melancholy, and he had an enduring concern with death, ruin, old age, loss of innocence, isolation and tragedy. In this long-awaited book, Matthew Craske adopts a fresh approach to Wright, which takes seriously contemporary reports of his melancholia and nervous disposition, and goes on to question accepted understandings of the artist. Long seen as a quintessentially modern and pr...
This title examines Joseph Wright's little-known Bath period, places the artist in the context of a city then at the height of its unique cultural significance. Using rarely-seen illustrations of his work, it considers his attempts to conquer a saturated portrait market with images of local celebrities, and his use of domestic spaces for public exhibition.
"This illustrated book examines Wright's decisive impact on the artistic climate of the expanding port town of Liverpool and on the other artists working there. The Merseyside network of merchants, bankers, and amateur and professional artists that Wright encountered in the years around 1770 is identified as his true historical milieu. The book serves as the catalogue of the exhibition of the same name shown at the Walker Art Gallery, Liverpool, and the Yale Center for British Art, New Haven in 2007-8."--BOOK JACKET.
Joseph Wright (1734-1797), commonly known as "Wright of Derby," painted some of the most powerful works of eighteenth-century British art: blacksmiths hammering a glowing bar of iron, dramatic demonstrations on scientific apparatus, erupting volcanoes, gloomy prisons, a fashionably dressed gentleman reclining full-length in a forest. Stephen Daniels addresses this unusual diversity by looking closely at the inextricable links between Wright's art and the different worlds of the Enlightenment movement that so fascinated and inspired him. Wright's unique connection with the innovations of his age and his use of a wide range of pictorial and written sources, together with his interest in new techniques, single him out as one of the most original and enterprising artists of his time.
Part of a series of monographs on the lives and careers of influential British artists, from the 18th century onwards. In this volume, Daniels addresses the diversity of the painterly talents of Joseph Wright (of Derby), and the inextricable links between his art and the Enlightenment.
The Robie House in Chicago is one of the world's most famous houses, a masterpiece from the end of Frank Lloyd Wright's early period and a classic example of the Prairie House. This book is intended as a companion for the visitor to the house, but it also probes beneath the surface to see how the design took shape in the mind of the architect. Wright's own writings, rare working drawings from the period, and previously unpublished photographs of the house in construction help the reader look over the shoulder of the architect at work. Beautiful new photographs of the Robie House and related Wright houses have been specially taken to illustrate the author's points, and a bibliography on Wright is provided.
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Explains how dictatorships rise, survive, and fall, along with why some but not all dictators wield vast powers.