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The Lazy Minstrel
"The Lazy Minstrel" from Joseph Ashby-Sterry. English poet and novelist (1836-1917).
The Statist
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Victorian Comedy and Laughter
This innovative collection of essays is the first to situate comedy and laughter as central rather than peripheral to nineteenth century life. Victorian Comedy and Laughter: Conviviality,Jokes and Dissent offers new readings of the works of Charles Dickens, Edward Lear,George Eliot, George Gissing, Barry Pain and Oscar Wilde, alongside discussions of much-loved Victorian comics like Little Tich, Jenny Hill, Bessie Bellwood and Thomas Lawrence. Tracing three consecutive and interlocking moods in the period, all of the contributors engage with the crucial critical question of how laughter and comedy shaped Victorian subjectivity and aesthetic form. Malcolm Andrews, Jonathan Buckmaster and Peter Swaab explore the dream of print culture togetherness that is conviviality, while Bob Nicholson, Louise Lee, Ann Featherstone,Louise Wingrove and Oliver Double discuss the rise-on-rise of the Victorian joke — both on the page and the stage — while Peter Jones, Jonathan Wild and Matthew Kaiser consider the impassioned debates concerning old and new forms of laughter that took place at the end of the century.
Dickensland
The intriguing history of Dickens's London, showing how tourists have reimagined and reinvented the Dickensian metropolis for more than 150 years "Jackson paints a vivid and detailed picture of the city as it was. . . . Dickens, who was no stranger to the instructive and comedic joys of pedantry, would surely have approved."--Ann Alicia Garza, Times Literary Supplement Tourists have sought out the landmarks, streets, and alleys of Charles Dickens's London ever since the death of the world-renowned author. Late Victorians and Edwardians were obsessed with tracking down the locations--dubbed "Dickensland"--that famously featured in his novels. But his fans were faced with a city that was under...
Cliff of the Ruin
"A witty, refreshing, and delightfully entertaining story." -"Affaire de Coeur" "Gripping and well-told... an entertaining and thought-provoking story, providing a deeper perspective on the meaning of love, faith and forgiveness." -IndieReader Review There are three good reasons why dashing Civil War hero and New York lawyer William Teague cannot tell artist Mae Kendrick he's in love with her. One, she told him he was dull. Two, she is the niece of an important client. Three, she just hired him to find the man she doesn't remember marrying. As Will unravels this peculiar case, he makes a shocking discovery about Mae's childhood, one that shifts the investigation to the land of her birth-Irel...
Constructing Girlhood through the Periodical Press, 1850-1915
Focusing on six popular British girls' periodicals, Kristine Moruzi explores the debate about the shifting nature of Victorian girlhood between 1850 and 1915. During an era of significant political, social, and economic change, girls' periodicals demonstrate the difficulties of fashioning a coherent, consistent model of girlhood. The mixed-genre format of these magazines, Moruzi suggests, allowed inconsistencies and tensions between competing feminine ideals to exist within the same publication. Adopting a case study approach, Moruzi shows that the Monthly Packet, the Girl of the Period Miscellany, the Girl's Own Paper, Atalanta, the Young Woman, and the Girl's Realm each attempted to define...
Victorian Verse
Victorian Verse: The Poetics of Everyday Life casts new light on nineteenth-century poetry by examining the period through its popular verse forms and their surrounding social and media landscape. The volume offers insight into two central concepts of both the Victorian era and our own—status and taste—and how cultural hierarchies then and now were and are constructed and broken. By recovering the lost diversity of Victorian verse, the book maps the breadth of Victorian writing and reading practices, illustrating how these seemingly minor verse genres actually possessed crucial social functions for Victorians, particularly in education, leisure practices, the cultural production of class, and the formation of individual and communal identities. The essays consider how “major” Victorian poets, such as the Pre-Raphaelites, were also committed to writing and reading “minor” verse, further troubling the clear-cut notions of canonicity by examining the contradictions of value.
