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Before the tumultuous events of the 1960's ended his long life, "Sambo" prevailed in American culture as the cheerful and comical entertainer. This stereotypical image of the black male, which developed during the Colonial period, extended into all regions and classes, pervading all levels of popular culture for over two centuries. It stands as an outstanding example of how American society has used humor oppressively. Joseph Boskin's Sambo provides a comprehensive history of this American icon's rise and decline, tracing the image of "Sambo" in circuses and minstrel shows, in comic strips and novels, in children's stories, in advertisements and illustrations, in films and slides, in magazines and newspapers, and in knick-knacks found throughout the house. He demonstrates how the stereotype began to unravel in the 1930s with several radio series, specifically the Jack Benny show, which undercut and altered the "Sambo" image. Finally, the democratic thrust of World War II, coupled with the advent of the Civil Rights movement and growing national recognition of prominent black comedians in the 1950's and '60's, laid Sambo to rest.
At the height of the Korean War in 1952, a budding young historian was drafted into the U.S. Army just as the Pentagon was organizing a top-secret, scientific expeditionary unit, the Transportation Arctic Group (TRARG). Consisting of 275 military members and a cluster of civilian scientists from the United States and other countries, TRARG was sent to Thule Air Force Base, located on the west coast of northern Greenland. Its ostensible purpose was to map the terrain and test complex equipment at the edges of the Ice Cap. The covert objective, however, was to determine the feasibility of constructing yet another air base on the other side of Greenland, one that would be much closer to the ene...
The seventeen essays in this book examine the power of humour in framing social and political protest.
Jewish Wry examines the development of Jewish humor in a series of essays on topics that range from Sholom Aleichem's humor to Jewish comediennes through to the humor of Philip Roth.
Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks. Reid's discussion of black independent films—defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks—ranges from the earliest black involvement at the turn of the century up through the civil rights...
Philadelphia's 'Black Mafia' could be used as primary reading in deviance and organized crime courses. Academicians in the fields of criminology, sociology, history, political science and African-American Studies will find the book compelling and important. This book provides the first sociological analysis to date of Philadelphia's infamous "Black Mafia" which has organized crime (with varying degrees of success) in predominantly African-American sections of the city dating back to the late 1960's. Philadelphia's 'Black Mafia': -is a first step in developing both data and sophisticated theoretical propositions germane to the ongoing study of organized crime; -uses primary source documents, including confidential law enforcement files, court transcripts and interviews; -explores the group's activities in detail, depicting some of the most notorious crimes in Philadelphia's history; -thoroughly examines the organization of the Black Mafia and the group's alliances, conspiracies and conflicts; -challenges many of the current historical and theoretical assumptions regarding organized crime.
Comic novelist and critic Paul McDonald explores the philosophy of humour in a book that will appeal to philosophers and creative writers alike. One aim of this book is to assess theories of humour and laughter. It concentrates mainly on philosophical approaches to humour- including those of Plato, Aristotle, Cicero, Descartes, Hobbes, Bergson, Kant, Schopenhauer, Kierkegaard, Freud and Bakhtin, but also explores such fields as cultural studies, literary theory, religion, psychoanalysis, and psychology; this broad focus makes for a richer account of humour, its relationship with philosophical thought, and its bearing on the human condition. Readers are invited to engage in creative writing e...
Rebellious Laughter changes the way we think about the ordinary joke. Claiming that humor in America is a primary cultural weapon, Boskin surveys the multitude of joke cycles that have swept the country during the last fifty years. Dumb Blonde jokes. Elephant jokes. Jewish-American Princess jokes. Lightbulb jokes. Readers will enjoy humor from many diverse sources: whites, blacks, women, and Hispanics; conservatives and liberals; public workers and university students; the powerless and power brokers. Boskin argues that jokes provide a cultural barometer of concerns and anxieties, frequently appearing in our day-to-day language long before these issues become grist for stand-up comics.
Fifteen years in the making, this book emerges as a new approach to presenting culinary information. It showcases a myriad of sumptuous, mouth-watering recipes comprising the many commonalities in ingredients and methods of food preparation of people of color from various parts of the globe. This powerful book traces and documents the continent's agricultural and mineral prosperity and the strong role played by ancient explorers, merchants, and travelers from Africa's east and west coasts in making lasting culinary and cultural marks on the United States, the Caribbean, Peru, Brazil, Mexico, India, and Southeast Asia. Groundbreaking in its treatment of heritage survival in African and Africa...