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The Art of Survival
The Art of Survival: Depictions of Zimbabwe and the Zimbabwean in Crisis offers a fresh, interdisciplinary examination of a period against which development in Zimbabwe is often measured, one epitomized by the severe shortages and runaway inflation of 2008. While journalistic stories of the 1998–2008 era often privilege the reductive stories of woe, defeat and crushed hopes, this volume explores how survival was still possible in those circumstances. The book offers insights into how ordinary Zimbabweans battled the odds by making startling innovations in language use to legitimize new survival strategies, how they weaved new songs and reinterpreted old ones to fight for survival, how social institutions such as churches reinterpreted popular gospel, and how authors, playwrights and dramatists crafted works that acknowledge the unprecedented difficulties and yet find humour, laughter and love in unusual places. This work will appeal to both scholars, who will appreciate the depth of the analysis, and the general reader.
Don't Listen To What I'm About To Say
'I am Elizabeth. I wish I could use my real name, because the situation in Zimbabwe is real. It would be better for those back home to know it was me.' The situation in Zimbabwe represents one of the worst humanitarian emergencies today. This book asks the question: How did a country with so much promise - a stellar education system, a growing middle class, a sophisticated economic infrastructure, a liberal constitution, an independent judiciary, and many of the trappings of western democracy - go so wrong? It asks the people who know this complicated story best - the Zimbabwean people who have endured (and hoped) across the decades to tell their side of this story. From refugees in South Af...
Cultural Texts of Resistance in Zimbabwe
Cultural Texts of Resistance in Zimbabwe explores how ordinary citizens appropriate and deploy cultural texts such as internet memes, songs, political cartoons and social media discussions as vehicles to contest hegemonic narratives of the state and insert alternative ways of imagining the future of the nation. This book is a timely attempt to examine the multiple and complex dimensions of resistance in post-millennial Zimbabwe through analysing different cultural productions. It centres the voices of ordinary Zimbabweans by examining popular cultural texts that reflect their experiences and ways of living within the Zimbabwean crisis of the post-2000 period. The book argues that subversive cultural texts have become important tools that ordinary citizens appropriate to challenge the repressive political environment and imagine different ways of writing the nation. The book brings a fresh perspective to ongoing discussions on how popular cultural texts contribute to the narration of the nation, especially in the context of crisis.
Hope Deferred
Hope Deferred asks the question: How did Zimbabwe, a country with so much promise—a stellar education system, a growing middle class, a sophisticated economic infrastructure, a liberal constitution, and an independent judiciary—come so close to collapse? In their own words, Zimbabweans tell their stories of losing their homes, land, livelihoods, and families as a direct result of political violence. They describe being tortured in detention, firebombed at work, or beaten up or raped to “punish” votes for the opposition. Those forced to flee to neighboring countries recount their escapes: cutting through fences, swimming across crocodile-infested rivers, and entrusting themselves to human smugglers. This book includes. Zimbabweans of every age, class, and political conviction—from farm laborers and academics to doctors and artists—ordinary people surviving the fragmentation of a once-thriving nation.
Life Writing and the End of Empire
The dismantlement of the British Empire had a profound impact on many celebrated white Anglophone writers of the twentieth century, particularly those who were raised in former British colonial territories and returned to the metropole after the Second World War. Formal decolonisation meant that these authors were unable to 'go home' to their colonial childhoods, a historical juncture with profound consequences for how they wrote and recorded their own lives. Moving beyond previous discussions of imperial and colonial nostalgia, Life Writing and the End of Empire is the first critical study of white memoirists and autobiographers who rewrote their memories of empire across numerous life narr...
Moving On
Open up a world of Zimbabwean storytelling: 20 writers, one powerful message. Moving On bristles with the talent of writers from Zimbabwe. This collection brings together twenty of Zimbabwe's finest storytellers, from within the country and without. Many of the characters in this anthology are themselves moving on: from the chains of the past, from the loss of loved ones, from long-held beliefs. Some from life itself and others to a brighter future. Between the covers the reader will encounter the father who uses his take on democracy to name the family dog, the villager who desperately waits for shoes and salt to ward off witchcraft, the young man who flees with the book, the boys who hide from the big noise, and a host of other characters.
African Music, Power, and Being in Colonial Zimbabwe
In this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, colonialism, and African self-liberation. Chikowero's book begins in the 1890s with missionary crusades against African performative cultures and African students being inducted into mission bands, which contextualize the music of segregated urban and mining company dance halls in the 1930s, and he builds genealogies of the Chimurenga music later popularized by guerrilla artists like Dorothy Masuku, Zexie Manatsa, Thomas Mapfumo, and others in the 1970s. Chikowero shows how Africans deployed their music and indigenous knowledge systems to fight for their freedom from British colonial domination and to assert their cultural sovereignty.
Where to Now?
The writing in this collection, at times dark, at times laced with comedy, is set against the backdrop of Zimbabwe's 'lost decade' of rampant inflation, violence, economic collapse and the flight of many of its citizens. Its people are left to ponder - where to now? ... In these pages you will meet the prostitute who gets the better of her brothers when they try to marry her off, the wife who is absolved of the charge of adultery, the hero who drowns in a bowser of cheap beer and the poetry slammer who does not get to perform his final poem. And many more."--Back cover
