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"The essays collected here derive from a two-day international and interdisciplinary conference, entitled 'Boxing Clever: A Centennial Re-Evaluation of Joseph Cornell', which was held at the AHRC Centre for the Studies of Surrealism and Its Legacies at the University of Essex between 17 and 19 September, 2003"--P. [9].
“The American Surrealist sculptor who evoked enchanting, metaphysical worlds by magical combinations of found objects in small boxes . . . a wonderful introduction to the artist’s world.” —Wall Street Journal Originally published to celebrate the centennial of Joseph Cornell’s birth, this book provides a multidimensional perspective on the pioneering modern artist. Lavishly illustrated with more than seventy-five boxes and collages, as well as images of the fascinating source material that the artist collected to create his exquisitely crafted worlds, it communicates to the reader the sense of surprise and delight that one experiences on viewing the actual boxes with their toys, st...
In this volume she probes Cornell's elusive imagery in his earliest Surrealist-inspired collages of the 1930s, his masterful box constructions of the 1940s and 1950s, his experimental films, and his final collages in his last years."--BOOK JACKET.
The first retrospective of the work of Joseph Cornell in the past 20 years reflects a personal exploration of art and culture that represent his belief in art as an uplifting voyage into the imagination.
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The "boxes" and collages constructed by Joseph Cornell (1903–72) are among the most intriguing and beguiling works of art made this century. Old toys, photos, magazine illustrations, bits of electrical wiring – anything in fact more usually left to molder in lumber rooms or junkshops – were hoarded by him as the elemental materials he needed for his constructions. The finished works are visually entrancing, but the intensely personal webs of reverie and association that determined their content make these boxes at once both oddly familiar yet ineluctably strange. Drawing on the widest range possible of primary material – virtually all Cornell's scrapbooks and source files, as well as correspondence and diaries – supplemented by further details gathered during more than fifty interviews undertaken with the artist's family and acquaintances, including Robert Motherwell and Susan Sontag, Lindsay Blair gives us the most detailed picture yet of an artist who hid so much of his life from the world. Her conclusion, wholly convincing in the light of the evidence she provides, is that Cornell's ultimate subject was the mind itself.
Deborah Solomon’s definitive biography of Joseph Cornell, one of America’s most moving and unusual twentieth-century artists, now reissued twenty years later with updated and extensively revised text Few artists ever led a stranger life than Joseph Cornell, the self-taught American genius prized for his enigmatic shadow boxes, who stands at the intersection of Surrealism, Abstract Expressionism, and Pop Art. Legends about Cornell abound—the shy hermit, the devoted family caretaker, the artistic innocent—but never before has he been presented for what he was: a brilliant, relentlessly serious artist whose stature has now reached monumental proportions.
"This book uncovers a largely overlooked strand of American modernism in Cornell's work that engaged with current issues through the metaphysical aspects of vernacular objects and experiences"--
Now in Paperback In Dime-Store Alchemy, poet Charles Simic reflects on the life and work of Joseph Cornell, the maverick surrealist who is one of America’s great artists. Simic’s spare prose is as enchanting and luminous as the mysterious boxes of found objects for which Cornell is justly renowned.
The first retrospective of the work of Joseph Cornell in the past 20 years reflects a personal exploration of art and culture that represent his belief in art as an uplifting voyage into the imagination.