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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.
In 1801, the Canadian government set up a lifesaving establishment on Sable Island. Somebody had to be in charge. That’s how the role of Superintendent of Sable Island came to be. In the early 1800s, the Darby family found work running the supply ship between mainland Nova Scotia and the remote Sable Island outpost. Joseph Darby, the eldest son, became a master of navigating the treacherous waters around “The Graveyard of the North Atlantic”, and eventually rose up to be in charge of the island and its inhabitants. In this true story dug up from the Nova Scotia Archives, Joseph Darby’s tale is unravelled to rewrite a legacy that, until now, has only remembered him as the most notorious superintendent ever to run the lifesaving establishment. Joseph Darby: A Man of Sable Island is a biography of a little-known figure in Canadian history who was responsible for saving thousands of lives from wrecks around Sable Island. For the first time, his story is presented in full and features his own words, revealing the highs and lows of a life spent in isolated duty.
We say the camera doesn't lie, but we also know that pictures distort and deceive. In Picture Perfect, Kiku Adatto brilliantly examines the use and abuse of images today. Ranging from family albums to Facebook, political campaigns to popular movies, images of war to pictures of protest. Adatto reveals how the line between the person and the pose, the real and the fake, news and entertainment is increasingly blurred. New technologies make it easier than ever to capture, manipulate, and spread images. But even in the age of the Internet, we still seek authentic pictures and believe in the camera's promise to document, witness, and interpret our lives.
Reprint of the original, first published in 1890.