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B-boying is a form of Afro-diasporic competitive dance that developed in the Bronx, NY in the early 1970s. Widely - though incorrectly - known as "breakdancing," it is often dismissed as a form of urban acrobatics set to music. In reality, however, b-boying is a deeply traditional and profoundly expressive art form that has been passed down from teacher to student for almost four decades. Foundation: B-boys, B-girls and Hip-Hop Culture in New York offers the first serious study of b-boying as both unique dance form and a manifestation of the most fundamental principles of hip-hop culture. Drawing on anthropological and historical research, interviews and personal experience as a student of the dance, Joseph Schloss presents a nuanced picture of b-boying and its social context. From the dance's distinctive musical repertoire and traditional educational approaches to its complex stylistic principles and secret battle strategies, Foundation illuminates a previously unexamined thread in the complex tapestry that is contemporary hip-hop.
First multi-year cumulation covers six years: 1965-70.
"'All's Well that Ends Well,' unlike other Shakespearian plays, has been given no historical framework in which director, critic, or student, may examine the play. The purpose of this study is to provide that framework through an exhaustive review of the stage of history, and a survey of the criticism from the beginning down to the present time, and to suggest an interpretation which is attentive to that framework. This is the first book-length study of 'All's Well that Ends Well,' the bulk of the study being the well-informed and clearly-constructed account of the play's theatrical and critical interpretation of the play in the final chapter." -Publisher.
During a deadly Chicago heat wave that's claiming hundreds of lives, Robert, who's stuck in his apartment alone, fears he's going to be the next victim. In the apartment above him lives a shell-shocked Vietnam veteran who talks obsessively about the corpses of his war experience while alternately listening to Die Meistersinger and Madama Butterfly. One day, Robert ventures forth into the searing heat to gas up his car. Immediately he encounters enigmatic Lucy who is trying to escape her brutal fiancé, Matthew Gliss. On a whim, Lucy invites Robert to her apartment where she shows him her mysterious tattoo and tells him of her dangerous life with Matthew Gliss. She warns Robert that if Matthew ever catches them together he should run, not walk, because Matthew won't think twice of killing him. So begins the risky, short-lived relationship that leads to a chilling climax. Each of Robert's increasingly hallucinatory recollections of what happened during the heat wave leads him to profoundly question his own culpability.
Fittingly named for a wild horse, this fighter became widely recognized for its power and beauty. It was a key element in Allied air superiority in Europe during WWII, destroying 9,081 enemy aircraft, and with similar results in the Korean War. Striking photos and the personal stories of the men who flew it help to tell the story of this superior aircraft. Full color photos of restored P-51s. Revised and updated
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