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Since the nineteenth century, the Western realistic novel has persistently represented the addict as a morally toxic force bent on destroying the institutions, practices, and ideologies that historically have connoted reason, order, civilization. Addiction, Representation undertakes an investigation into an alternative literary tradition that unsettles this limited portrayal of the addict. The book analyzes the practices and politics of reading the experimental addiction novel, and outlines both a practice and an ethics of reading that advocates for a more compassionate response to both diegetic and extra-diegetic addicts—an approach that, at its core, is focused on understanding.
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"Over the last forty years, a variety of developments in American science, politics, and culture have reimagined addiction in their own ways, and yet they share something in common. Increasingly, addiction is understood as deeply normal, resembling our most ordinary attachments. On this view, a potential for addiction, or even a drive to addiction, is latent in all of us and a natural response to what now so often surrounds us, namely, an ample and sure supply of potent thrills and pleasures. This book documents where and how this view has taken hold in society and considers what its rise and wide circulation can reveal about how we imagine the human subject in the late-modern United States....
"A record of grants" [in New Hampshireâ–ˇ: 1893, p. [5]-58.