Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Dance of Death
John Fahey hovers ghostlike in the sound of almost every acoustic guitarist who came after him. He was to the solo acoustic guitar what Hendrix was to the electric: the man whom all subsequent musicians had to listen to. Fahey made more than forty albums between 1959 and his death in 2001, fusing folk, blues, and experimental composition, taking familiar American sounds and making them new. Yet Fahey’s life and art remain largely unexamined. His memoir and liner notes were largely fiction. His real story has never been told—until now. Journalist Steve Lowenthal has spent years talking with Fahey’s producers, friends, peers, wives, business partners, and many others. He describes how Fa...
How Bluegrass Music Destroyed My Life
John Fahey is feared and revered around the world as a guitar player and composer. His inventions for acoustic and electric strings are the stuff of legend. Known for his finger-picking finesse, Fahey's pen has the same world-gobbling ferocity as his guitar. Fahey's collection of short stories defy classification - part memoir, part personal essay, part fiction, part manifesto. It is a collection that makes an explosive selection of his work available for public consumption. What else is there to say, except 'Grab your ankles, dear readers. It's kingdom time!'
Vampire Vultures
Vampire Vultures is an unexpected gift from the late music legend John Fahey. Originally a project of his own conception, it was to be an epic work that would expand on many of the character and experiences he introduced in How Bluegrass Music Destroyed My Life (2000). It is a unique volume that allows the reader to walk deep into the mind of its creator. Compiled from his private papers, it includes notebook entries, short stories, letters never sent, revealing the struggles and victories of a cult icon's life in modern America.
Blind Joe Death
John Fahey transformed the world of acoustic flat-top steel-string guitar by bringing it to the concert stage as a respected, solo instrument. Blind Joe Death: Volume 1 looks at the important people and genres that shaped him as acomposer. This volume focuses on Side 1 of the original 1967 Blind Joe Death LP, a collection of mostly traditional music that was adapted for solo guitar. Hints of Fahey's early influences endured throughout his career as a composer, yet early on, and in Blind Joe Death, a unique voice is coming into focus-one that is not afraid to explore the avant-garde with journeys into collage and expressionism. Six extensively edited solos from Blind Joe Death are included in Volume 1: "On Doing an Evil Deed Blues," "St. Louis Blues," "Poor Boy a Long Ways from Home," "Uncloudy Day," "John Henry" and "In Christ There Is No East or West." Within these transcriptions, Andrew Lardner has provided admirers of John Fahey's body of work with the essential keys to launch their own journeys into replicating the sounds and style of Fahey's landmark solos from Blind Joe Death.
Charley Patton
Noted guitarist John Fahey presents a textual and musicological examination of the music of blues legend Charley Patton. This new edition is enhanced by Fahey's notes from the Grammy-winning, out-of-print box set Screamin' and Hollerin' the Blues: The Worlds of Charley Patton.
John Fahey
The much-revered avant-garde guitarist John Fahey (1939-2001) incorporated influences ranging from folk, blues, and bluegrass to classical music, musique concrete, and noise in his primarily acoustic guitar-based compositions. Considered a legend by many, Fahey released upward of three dozen LPs in his lifetime. Relatively late in life, Fahey extended his so-called American Primitive approach beyond music, and into the creation of a substantial body of paintings created in makeshift studios in and around Salem, Oregon. Painting on found poster board and discarded spiral notebook paper, working with tempera, acrylic, spray paint, and magic marker, Fahey's intuitive approach echoes the action painters and abstract expressionists. The same alluring and tranquilizing aesthetics that defines much of Fahey's musical output are equally present in his paintings. The first publication focusing on his visual output, John Fahey: Paintings, edited in collaboration with Audio Visual Arts (AVA), is illustrated with 92 plates and is accompanied by essays from Keith Connolly, founding member of No-Neck Blues Band, and the critic Bob Nickas.
Dust & Grooves
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
Saving the Reservation
Joseph R. Garry (1910–1975), a Coeur d’Alene Indian, served six terms as president of the National Congress of American Indians in the 1950s. He led the battles to compel the federal government to honor treaties and landownership and dominated an era in government-Indian relations little attended by historians. Firmly believing that forced assimilation of Indians and termination of federal trusteeship over Native Americans and their reservations would doom Indian cultures, Garry had his greatest success as a leader in uniting American Indian tribes to fend off Congress’s plan to abandon Indian citizens. Born into a chief’s family and raised on the Coeur d’Alene reservation in north...
Walter Rauschenbusch
Selected spiritual writings of Walter Rauschenbusch (1851-1918), a Baptist minister and theologian who was the primary voice of the Social Gospel movement in the early 20th century. His recovery of the social implications of Jesus' teaching on the Kingdom of God prefigured many elements of later liberation theology.
War and Christian Conscience
This primer on war and the Christian conscience begins in an imaginary college classroom as students react to news that the draft has been reinstated. ""Why cant I finish college?"" asks one student. ""Why do I have to go?"" These urgent and personal questions offer the entry to a clear and comprehensive outline of the basic Christian responses to the problem of war. As Fahey shows, the Christian tradition has supplied a variety of answers, including pacifism, just war teaching, the ethic of ""total war,"" and the vision of a ""world community."" In the face of these different approaches, how are we to decide which one is right? And more basically, how does one go about forming ones personal conscience? For all who ponder these moral challenges--whether as young people facing the question of military service, or as counselors, chaplains, or teachers--this book offers an essential and practical guide.
