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This is a reissue of Professor Stern's distinguished study of German prose from the death of Goethe to the heyday of the Wilhelminian Empire. Professor Stern argues that nineteenth-century German prose is characterized by a particular combination of the prophetic and the archaic, of the existential and the parochial, and is only partially and sometimes not at all related to the social and political realities of the age. In this sense, German literature of the period stands apart from the main stream of European realism and has, for that reason, received little attention from the common reader outside its own country. The book contains studies of Goethe, Grillparzer, Büchner, Schopenhauer, Heine, Stifter and Fontane, all of whom re-interpreted the world from points of view other than that of the common and commonly explored social certainties of their age. Consequently, Professor Stern suggests alternative criteria to the common notion of realism with which to asses their work.
Reconstructed From His Aphorisms And Reflections.
Describes the growth of the Hitler myth and the fascination which Hitler had for people. Analyzes the themes and methods used by Hitler, based on his book "Mein Kampf" and on his speeches (including his attacks on the Jews). Deals especially with his language - the phraseology of sacrifice, of nature, and of prophecy. For material relating to Nazi laws against the Jews, see pp. 159-174.
This influential book was the first comprehensive study of Nietzsche's earliest work, The Birth of Tragedy (1872).
The essays in this collection, which was originally published in 1986, address fundamental issues of literary realism that have long been given prominence by J. P. Stern, the distinguished writer on German literature and author of the seminal study On Realism. In the prevailing theoretical climate problems associated with literary realism assumed great urgency. Such problems are the notion of literary 'truth to life', the survival of the concept of 'realism' in the light of modern hermeneutical theory, the perspective adopted by the contemporaries of Barthes and inheritors of Nietzsche on the canonical prose writers of the nineteenth century, and the future for an exegetical tradition represented in the work of Erich Auerbach.
Originally published in 1971, this book outlines the period of Germany’s belated industrial revolution and suggests why German literature does not, before the 1880s, contribute to the tradition of European realism. It considers the alternatives to realism offered in three genres of drama, poetry and prose fiction. The book closely analyses specific texts, both in the original and in translation, with comparisons with non-German works.
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