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Reading Faulkner
Absalom, Absalom! has long been regarded as one of William Faulkner's most difficult, dense, and multilayered novels. It is, on one level, the story of Thomas Sutpen, an enigmatic stranger who came to Jefferson in the early 1830s to wrest his mansion out of the muddy bottoms of the north Mississippi wilderness. He was a man, Faulkner said, “who wanted sons and the sons destroyed him.” On another level, the book narrates the tragedy that befalls the entire Sutpen family and that tragedy's legacy that continues well into the twentieth century and beyond. The novel's intricate, demanding prose style, and its haunting dramatization of the South's intricate, demanding history make it a masterpiece of twentieth-century American literature. Reading Faulkner: Absalom, Absalom! offers a close examination and interpretation of the novel. Here difficult words and cultural terms that might prove to be a problem for general readers are explained and keyed to page numbers in the definitive Faulkner text (Library of America and Vintage editions). The authors place Faulkner's novel in its historical context, while also connecting it to his other works.
Faulkner and Material Culture
Photographs, lumber, airplanes, hand-hewn coffins—in every William Faulkner novel and short story worldly material abounds. The essays in Faulkner and Material Culture provide a fresh understanding of the things Faulkner brought from the world around him to the one he created. Charles S. Aiken surveys Faulkner's representation of terrain and concludes, contrary to established criticism, that to Faulkner, Yoknapatawpha was not a microcosm of the South but a very particular and quite specifically located place. Jay Watson works with literary theory, philosophy, the history of woodworking and furniture-making, and social and intellectual history to explore how Light in August is tied intimate...
Faulkner and His Contemporaries
Although he spent the bulk of his life in Oxford, Mississippi-far removed from the intellectual centers of modernism and the writers who created it—William Faulkner (1897–1962) proved to be one of the American novelists who most comprehensively grasped modernism. In his fiction he tested its tenets in the most startling and insightful ways. What, then, did such contemporaries as Ernest Hemingway, Eudora Welty, and Walker Evans think of his work? How did his times affect and accept what he wrote? Faulkner and His Contemporaries explores the relationship between the Nobel laureate, ensconced in his “postage stamp of native soil,” and the world of letters within which he created his mas...
Faulkner's Inheritance
Essays by Susan V. Donaldson, Lael Gold, Adam Gussow, Martin Kreiswirth, Jay Parini, Noel Polk, Judith L. Sensibar, Jon Smith, and Priscilla Wald William Faulkner once said that the writer “collects his material all his life from everything he reads, from everything he listens to, everything he sees, and he stores that away in sort of a filing cabinet . . . in my case it's not anything near as neat as a filing case; it's more like a junk box.” Faulkner tended to be quite casual about his influences. For example, he referred to the South as “not very important to me. I just happen to know it, and don't have time in one life to learn another one and write at the same time.” His Christi...
Faulkner and the Ecology of the South
In 1952, Faulkner noted the exceptional nature of the South when he characterized it as “the only really authentic region in the United States, because a deep indestructible bond still exists between man and his environment.” The essays collected in Faulkner and the Ecology of the South explore Faulkner's environmental imagination, seeking what Ann Fisher-Wirth calls the : “ecological counter-melody” of his texts. “Ecology” was not a term in common use outside the sciences in Faulkner's time. However, the word “environment” seems to have held deep meaning for Faulkner. Often he repeated his abiding interest in “man in conflict with himself, with his fellow man, or with his ...
Faulkner and gender
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In the Age of Distraction
The information age bombards us with data from so many souces and media outlets that we find it difficult to maintain control over what we want or what we need to think about. Urgo alerts us to the contours of such technological imprisonment. He argues against allowing ourselves to be controlled by the tools we have created, and, with thought-provoking analysis, urges that we assume positions of power over those things that demand our attention.
Willa Cather and the Myth of American Migration
"In a land where there is constant migration, can there be a "homeland"? In the United States, migration is initially experienced as immigration, but the process never achieves closure. Migration continues as transience - restless, unsettled movement across social and economic classes, states, and national borders. In this nuanced study grounded in literature, history, and popular culture, Joseph Urgo demonstrates that American culture and our sense of national identity are permeated by unrelenting, incessant, and psychic mobility across spatial, historical, and imaginative planes of existence." "There is no better example of a writer reflecting on this migratory consciousness than Willa Cat...
Faulkner's Cartographies of Consciousness
William Faulkner continues to be an author who is widely read, studied, and admired. This book provides a new and interdisciplinary account of Faulkner's legacy, arguing that his fiction is just as relevant today as it was during his own time. Indeed, Faulkner's far-reaching critique of his Southern heritage speaks directly to the anti-racism discourse of our own time and engages the dire threat to subjecthood in a technologically saturated civilization. Combining literary critique with network and complexity science, this study offers a new reading of William Faulkner as a novelist for the information age. Over the course of his career, we find an artist struggling to articulate the threat to human wellbeing in rapidly scaling social systems and gradually developing a hard-won humanism that affirms the individual and interpersonal life as a source of novelty and social change.
William Faulkner
Considered one of the great American authors of the 20th century, William Faulkner (1897-1962) produced such enduring novels as The Sound and the Fury, Light in August, and As I Lay Dying, as well as many short stories. His works continue to be a source of interest to scholars and students of literature, and the immense amount of criticism about the Nobel-prize winner continues to grow. Following his book Faulkner in the Eighties (Scarecrow, 1991) and two previous volumes published in 1972 and 1983, John E. Bassett provides a comprehensive, annotated listing of commentary in English on William Faulkner since the late 1980s. This volume dedicates its sections to book-length studies of Faulkne...
