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In 1847 the love for a woman and a debt of honour threatens to destroy two men in the harsh penal colony of Norfolk Island. Driven by intense jealousy and guilt, Lieutenant Edmund Thornton sets out to destroy convicted felon, Michael Hanlon, both of whom share a love for Sarah Henshall. Her unexpected arrival on the island sets into motion a series of tragic events. Can Edmund slay the beast of jealousy and find redemption? Or must he accept his fate and risk losing forever the woman he can no longer live without?
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What do we do when the world's walls - its family structures, its value-systems - crumble? The central character of this novel, 'Moor' Zogoiby, only son of a wealthy, artistic-bohemian Bombay family, finds himself in such a moment of crisis. His mother, an emotional despot, worships beauty, but Moor is ugly, he has a deformed hand.
In Rhetoric, Poetics, and Literary Historiography, Stefan H. Uhlig offers a new account of the emergence of literary studies. Most histories of the early years of the field search for unifying origins of literature as a discipline and object of study. Uhlig turns to the decades around 1800 in Europe to reveal that the inception of the literary field was instead defined by intellectual diversity and contestation. He draws on an array of European writers to show how three schools of literary study—rhetoric teaching, theories of poetry, and literary history—emerged and clashed during this time, offering near-contemporaneous, yet divergent, visions of how to understand literature. Rhetoric a...