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Torin Ten-Trees and his closest companions, Bryn and Grimsa, set out to join The Gatewatch and become trollhunters. When a troupe of meddling dwarves throws them off course they are captured by trolls and taken as prisoners to a secret gathering deep underground. There they learn that an ancient giant has crowned himself king of the trolls and plans to utterly destroy The Gatewatch. Their perilous journey back to the land of sun and stars will stretch their strength to the limit, strain their wits, and demand an unspeakable sacrifice. But will it be enough to defeat the Troll King? The Gatewatch is an epic troll-hunting adventure inspired by the Norse Myths and the Icelandic Sagas.
The Everspring is a Norse fantasy adventure flavoured with hints of such heroic sagas as Beowulf, Sigurd the Dragonslayer, and Angantyr the Berserker. It is the second book in The Saga of Torin Ten-Trees and the sequel to The Gatewatch.
Reprint of the original, first published in 1875.
In our increasingly polarized world there is an urgent need for cross-cultural conversations, bridges of understanding between people of different beliefs, and a recommitment to a common understanding of our shared history: the history not of any one particular group but of humanity itself. Althingi: The Crescent and the Northern Star, co-edited by Muhammad Aurangzeb Ahmad (A Mosque Among the Stars, Islamicates) and Joshua Gillingham (The Gatewatch, Old Norse for Modern Times), is an anthology of historical fiction which explores the intricate and often-overlooked interactions between intrepid Viking voyagers and inquisitive emissaries from the powerful Islamic kingdoms.Featuring stories by an incredible slate of authors writing in the historical Althingi universe, Althingi: The Crescent and the Northern Star, offers a glimpse into a fascinating forgotten past and will prove a must-read for fans of both Viking and Islamic history.
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While much recent ecocriticism has questioned the value of nature as a concept, Thought's Wilderness insists that it is analytically and politically indispensable, and that romanticism shows us why. Without a concept of nature, Greg Ellermann argues, our thinking is limited to the world that capitalism has made. Defamiliarizing the tradition of romantic nature writing, Ellermann contends that the romantics tried to circumvent the domination of nature that is essential to modern capitalism. As he shows, poets and philosophers in the period such as Immanuel Kant, G. W. F. Hegel, Mary Wollstonecraft, William Wordsworth, and Percy Shelley were highly attuned to nature's ephemeral, ungraspable fo...
"The time is June 1940. Nazi panzer divisions are churning across northern Europe, leaving ruin and demoralization in their wake. A British commando team sneaks into Amsterdam, and right under the nose of the advance units of the Wehrmacht steals the Dutch crown treasure from the Royal Palace and prepares to whisk it back to the safety of England."--Back cover.