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Devour the Land
Tracing the impacts of militarism on the American landscape, through the lens of art, environmental studies, and politics Devour the Land considers how contemporary photographers have responded to the US military's impact on the domestic environment since the 1970s, a dynamic period for environmental activism as well as for photography. This catalogue presents a lively range of voices at the intersection of art, environmentalism, militarism, photography, and politics. Alongside interviews with prominent contemporary artists working in the landscape photography tradition, the images speak to photographers' varied motivations, personal experiences, and artistic approaches. The result is a surp...
Vanishing Points
In Vanishing Points, Michael Sherwin locates and photographs significant sites of indigenous American presence, including sacred landforms, earthworks, documented archaeological sites and contested battlegrounds. The sites he chooses to visit are literal and metaphorical vanishing points. They are places in the landscape where two lines, or cultures, converge. They are also actual archaeological sites where the sparse evidence of a culture's once vibrant existence has all but disappeared. While visiting these sites, Sherwin reflects on the monuments modern culture will leave behind and what the archaeological evidence of our civilization will reveal about our time on Earth.
American Geography
Award-winning photographer Matt Black traveled over 100,000 miles to chronicle the reality of today’s unseen and forgotten America. When Magnum photographer Matt Black began exploring his hometown in California’s rural Central Valley—dubbed “the other California,” where one-third of the population lives in poverty—he knew what his next project had to be. Black was inspired to create a vivid portrait of an unknown America, to photograph some of the poorest communities across the US. Traveling across forty-six states and Puerto Rico, Black visited designated “poverty areas,” places with a poverty rate above 20 percent, and found that poverty areas are so numerous that they’re...
The Rest Between Two Notes
By integrating her contemporary photography with historical periods and various settings from around the world, Forman creates a world of illusion; upon closer inspection, what appears ordinary suggests an underlying tension and an aura of mystery. Expressed in the diffused colors of twilight and chiaroscruro, her images blur the boundaries between photography, late Renaissance painting, and film noir.Forman's photo-paintings explore those liminal and in-between moments - of coming and leaving, innocence and confidence, shadow and light, night and day, absence and connection, loss and longing, and not quite the past and not yet the future. Portals, both real and metaphorical, frequent her la...
Hannah Starkey
Since the mid nineties, the Northern Irish photographer Hannah Starkey has dedicated her work to a labyrinth of ideas surrounding the female experience and the medium of photography. Recognised for her artfully constructed mise-en-scenes in which women of different generations take centre stage, Starkey's colour photographs often arise from close collaborations with actresses, friends or acquaintances she meets on site. Her images combine the subtlest of gazes and gestures with sophisticated forms of lighting, framing, colour and composition, to build multiple narratives that explore the psychological complexity of women. Challenging the aggressive ways in which the media often fetishize and...
On Photographs
Gain a new perspective on photography in this personally guided introduction to photographic images and what they mean by one of the leading writers and curators of our time On Photographs is destined to become an instant classic of photography writing. Rejecting the conventions of chronology and the heightened status afforded to 'classics' in traditional accounts of the history of the medium, Campany's selection of photographs is an expertly curated and personal one - mixing fine art prints, film stills, documentary photographs, fashion editorials and advertisements. In this playful new take on the history of photography, anonymous photographers stand alongside photography pioneers, 20th-century talents and contemporary practitioners. Each photograph is accompanied by Campany's highly readable commentary. Putting the sacred status of authorship to one side, he strives to guide the reader in their own interpretation and understanding of the image itself. In a visual culture in which we have become accustomed to not looking, Campany helps us see, in what is both an accessible introduction for newcomers and a must-have for photography aficionados.
The Makeshift City
The Makeshift City is compiled of photographs made in and around Atlanta, Georgia. The city of Atlanta is currently in the midst of a seismic shift of population growth, real estate development and economic disparity that follows decades of systemic racism and Jim Crow policies that have plagued the American South since the Civil War. Atlanta is a city that has been built and destroyed several times over, leaving behind comparatively few traces of its own past despite its status as the cradle of the Civil Rights Movement and a progressive bubble amidst a rural and mostly conservative part of the country. As the city continues to struggle against the backdrop of history, it seeks to rebrand itself as a global mecca for new wealth, Hollywood production and opportunity.
Richard Renaldi
"Since 2007, Richard Renaldi has been working on a series of photographs that involve approaching and asking complete strangers to physically interact while posing together for a portrait. Working on the street with a large format eight-by-ten-inch view camera, Renaldi encounters the subjects for his photographs in towns and cities all over the United States. He pairs them up and invites them to pose together, intimately, in ways that people are usually taught to reserve for their close friends and loved ones. Renaldi creates spontaneous and fleeting relationships between strangers, for the camera, often pushing his subjects beyond their comfort levels. These relationships may only last for the moment the shutter is released, but the resulting photographs are moving and provocative, and raise profound questions about the possibilities for positive human connection in a diverse society. -- Provided by publisher."--Publisher's description.
Grays the Mountain Sends
Grays the Mountain Sends by Bryan Schutmaat documents the rugged landscapes and people of the great American West. The images describe a series of mining sites and small mountain towns and the people who have worked in them, built them, and a few younger people who might, or might not, be looking for a way out of them.
My Dakota
In 2005, Rebecca Norris Webb set out to photograph her home state of South Dakota, a sparsely populated frontier state on the Great Plains with more buffalo, pronghorn, mule deer and prairie dogs than people. South Dakota is a land of powwows and rodeos, corn palaces and buffalo roundups; a harsh and beautiful landscape dominated by space, silence, brutal wind and extreme weather. The next year, however, everything changed for Norris Webb, when her brother died unexpectedly of heart failure. "For months," she writes in the introduction to this volume, "one of the few things that eased my unsettled heart was the landscape of South Dakota. For each of us, does loss have its own geography?" My Dakota is a small intimate book about the west and its weathers, and an elegy for a lost brother.
