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A revelatory study of one of the 18th century's greatest artists, which places him in relation to the darker side of the English Enlightenment Joseph Wright of Derby (1734-1797), though conventionally known as a 'painter of light', returned repeatedly to nocturnal images. His essential preoccupations were dark and melancholy, and he had an enduring concern with death, ruin, old age, loss of innocence, isolation and tragedy. In this long-awaited book, Matthew Craske adopts a fresh approach to Wright, which takes seriously contemporary reports of his melancholia and nervous disposition, and goes on to question accepted understandings of the artist. Long seen as a quintessentially modern and pr...
Part of a series of monographs on the lives and careers of influential British artists, from the 18th century onwards. In this volume, Daniels addresses the diversity of the painterly talents of Joseph Wright (of Derby), and the inextricable links between his art and the Enlightenment.
"This illustrated book examines Wright's decisive impact on the artistic climate of the expanding port town of Liverpool and on the other artists working there. The Merseyside network of merchants, bankers, and amateur and professional artists that Wright encountered in the years around 1770 is identified as his true historical milieu. The book serves as the catalogue of the exhibition of the same name shown at the Walker Art Gallery, Liverpool, and the Yale Center for British Art, New Haven in 2007-8."--BOOK JACKET.
This title examines Joseph Wright's little-known Bath period, places the artist in the context of a city then at the height of its unique cultural significance. Using rarely-seen illustrations of his work, it considers his attempts to conquer a saturated portrait market with images of local celebrities, and his use of domestic spaces for public exhibition.
"In the rich and growing body of work on democracy, there has been little attention to the connection between democracy and migration; and when there is, it is usually in connection with countries that see in-migration rather than out-migration. The latter is the focus of this book, which looks specifically at remittances--money sent from a migrant back to their home country--and how they reshape the internal balance of power by influencing the incentives and opportunities for political action among individuals receiving remittance income. Not only do remittances provide the resources that make contentious collective action possible, but they also reduce households' dependence on state-deliv...
Explains how dictatorships rise, survive, and fall, along with why some but not all dictators wield vast powers.
Matthew Craske looks closely at tomb sculptures in their social context. He discusses a large number of monuments by many different sculptors, all with a knowledge of the person commemorated and the circumstances behind the commission.
This book situates the work of the artist Joseph Wright of Derby (1734–1797) within the context of his life and times. It brings to light fresh information, including evidence of the flute music that Wright played and the ‘graveyard’ genre of poetry that he read. The book argues that Wright is the author of ‘The Final Farewell: a poem written on retiring from London’ (1787). It will be of interest to all admirers of this famously retiring artist. By the same author: The Adventures and Speculations of the Ingenious Peter Perez Burdett.