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This volume takes an important step toward the discovery of a common critical heritage that joins the diverse literatures of North America and Latin America. Traditionally, literary criticism has treated the literature of the Americas as "New World" literature, examining it in relation to its "Old World"--usually European--counterparts. This collection of essays redirects the Eurocentric focus of earlier scholarship and identifies a distinctive pan-American consciousness. The essays here place the literature of the Americas in a hemispheric context by drawing on approaches derived from various schools of contemporary critical thought--Marxism, feminism, culture studies, semiotics, reception ...
This book focuses on the novel Paradiso of Cuban author José Lezama Lima (1910-1976), and in particular on the protagonist José Cemí. It examines the development of Cemí according to the three distinct phases detailed by Lezama: the 'placentario' world of family protection, the awakening to the exterior world and the subsequent friendships made, and the eventual encounters with Oppiano Licario. Cemí's progression, and his growing ability to interpret and create texts, is analysed as analogous to the reader's progression through the novel. In this respect, both the reader and Cemí are obliged to interpret the complex symbolism according to interpretative skills acquired from the text itself. In a similar fashion, the connection between Cemí's 'guide' Licario, and the author Lezama is investigated. By exploring these connections between reader and protagonist, author and character, the author of this work suggests a radical and hitherto unexplored approach to the text of Lezama.
The Art of Dancing in Seventeenth-Century Spain includes a transcription of the Spanish text, a translation of that text into English, and extensive commentary that contextualizes the dancing in light of European, particularly Spanish, dance, society, culture, and history."--BOOK JACKET.
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This book engages with a central yet hitherto neglected dimension of the transition to democracy in Spain. It examines the emergence and development of Moderate Francoism from 1964, the year when the Law of Associations was introduced, until 1977, the year of the first democratic elections. The role of the reformists was one of the factors that made possible the dismantling of the dictatorship and was of crucial importance in making possible a bloodless transition to democracy. They acted as a bridge between the regime hard-liners and the democratic opposition, paving the way for King Juan Carlos to implement the 1976 Reform Law that swept away the structures of Francoism. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.
Reprint of the original, first published in 1860.