You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Looks at the life and career of the Mexican mural painter.
The complete North American work of one of Mexico's greatest muralists. Among the Mexican muralists working in this country during the 1920s and 1930s, including the giants Diego Rivera and David Alfaro Siqueiros, the paintings of José Clemente Orozco are arguably the strongest and most politically charged. This important and profusely illustrated volume is proof. From his first commission, Prometheus, at Pamona College and his highly political work at the New School for Social Research in New York to what some feel is his masterpiece, The Epic of American Civilization, at Dartmouth College, Orozco's stinging characterizations of hypocrisy, greed, and oppression challenged conventional conservative views, to such an extent that in certain instances demands were made for the destruction of his works. All of Orozco's North American work is presented here, with discussions on his life and influences as well as his place among the other Mexican artists and his impact on the exuberant art of the 1960s and 1970s.
This fully illustrated volume documents Jose Clemente Orozco's finest work as a printmaker in lithography and intaglio.
This biography recounts the life and career of one of the world's greatest artists. Orozco's work has been compared to that of the great painter Michelangelo. Famous for their stark depictions of the human condition, Orozco's controversial murals still convey a powerful message today.
Traces the lives of three painters of the Mexican mural movement, from their childhood in a rural, feudal society, through the years of revolution and their first commissions from the new State, to the years of their artistic maturity.
None
"Receive our Memories is a rare study of an epistolary relationship for individuals whose migration from Mexico has been looked at en masse, but not from such a personal and human angle. The heart of the book consists of eighty translated and edited versions of letters from Luz Moreno, a poor, uneducated Mexican sharecropper, to his daughter, a recent aemigrae to California, in the 1950s. These are contextualized and framed in light of immigration and labor history, the histories of Mexico and the United States in this period, and family history. Although Moreno's letters include many of the affective concerns and quotidian subject matter that are the heart and soul of most immigrant corresp...