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Songs and Gifts at the Frontier
This book investigates the particular history and social experience by a marginalized society in Mindanao Island, Philippines, through an analysis of the speech, song and dance in spirit possession ritual. Using the concepts of exchange and reciprocity, Buenconsejo connects the performativity of ritual song to the formation and maintenance of sociability, personhood and subjectivity. Also inlcludes maps.
Songs and Gifts at the Frontier
This book investigates the particular history and social experience by a marginalized society in Mindanao Island, Philippines, through an analysis of the speech, song and dance in spirit possession ritual. Using the concepts of exchange and reciprocity, Buenconsejo connects the performativity of ritual song to the formation and maintenance of sociability, personhood and subjectivity. Also inlcludes maps.
Vox
In Latin, Vox means “voice.” The poetry collection contains poems derived from popular or known songs with a familiar melody. Using poetry as an avenue to encourage readers to participate in relevant advocacies such as promoting environmental awareness or human rights protection, this poetry anthology aims to awaken young minds about what is happening in the society or the environment. The poems in this collection are intended as a performance poetry. This poetry anthology aims to encourage millennials and the Generation Z to become a voice on issues that matter and be a social media influencer as they perform these poetry as a spoken word or even sing it. Similar to a voice with various range, the collection also features poems that showcase various forms of poetry like acrostic, haiku, pantoum, and villanelle, which can also be rendered as a spoken-word poetry.
Encyclopedia of Beasts and Monsters in Myth, Legend and Folklore
"Here there be dragons"--this notation was often made on ancient maps to indicate the edges of the known world and what lay beyond. Heroes who ventured there were only as great as the beasts they encountered. This encyclopedia contains more than 2,200 monsters of myth and folklore, who both made life difficult for humans and fought by their side. Entries describe the appearance, behavior, and cultural origin of mythic creatures well-known and obscure, collected from traditions around the world.
Encyclopedia of Vampire Mythology
From the earliest days of oral history to the present, the vampire myth persists among mankind's deeply-rooted fears. This encyclopedia, with entries ranging from "Abchanchu" to "Zmeus," includes nearly 600 different species of historical and mythological vampires, fully described and detailed.
Colonial Counterpoint
Named one of BBC History Magazine's "Books of the Year" in 2010 In this groundbreaking study, D. R. M. Irving reconnects the Philippines to current musicological discourse on the early modern Hispanic world. For some two and a half centuries, the Philippine Islands were firmly interlinked to Latin America and Spain through transoceanic relationships of politics, religion, trade, and culture. The city of Manila, founded in 1571, represented a vital intercultural nexus and a significant conduit for the regional diffusion of Western music. Within its ethnically diverse society, imported and local musics played a crucial role in the establishment of ecclesiastical hierarchies in the Philippines ...
Modern Noise, Fluid Genres
What happens to “local” sound when globalization exposes musicians and audiences to cultural influences from around the world? Jeremy Wallach explores this question as it plays out in the eclectic, evolving world of Indonesian music after the fall of the repressive Soeharto regime. Against the backdrop of Indonesia’s chaotic and momentous transition to democracy, Wallach takes us to recording studios, music stores, concert venues, university campuses, video shoots, and urban neighborhoods. Integrating ground-level ethnographic research with insights drawn from contemporary cultural theory, he shows that access to globally circulating music and technologies has neither extinguished nor homogenized local music-making in Indonesia. Instead, it has provided young Indonesians with creative possibilities for exploring their identity in a diverse nation undergoing dramatic changes in an increasingly interconnected world. Ultimately, he finds, the unofficial, multicultural nationalism of Indonesian popular music provides a viable alternative to the religious, ethnic, regional, and class-based extremism that continues to threaten unity and democracy in that country.
Official Gazette
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