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This book talks about urban areas and the environment, showing the transformation of particular sites over time.
For more than a century, Harlem has been the epicenter of black America, the celebrated heart of African American life and culture—but it has also been a byword for the problems that have long plagued inner-city neighborhoods: poverty, crime, violence, disinvestment, and decay. Photographer Camilo José Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood’s urban fabric, both the buildings that compose it and the life and culture embed...
A photographic record of almost three decades of Detroit's changing urban fabric
This catalogue is devoted to the work of Latin American photographer Camilo Vergara. He has been chronicling the tension in poverty-stricken, deprived areas in American cities for more than 40 years.His photographs document urban change, illustrate the symptoms of social conflict and show the widening gap in American society.As a visual tracker, photographic sociologist, ethnographer and urban researcher, he has created a unique archive of American (urban) history, cataloguing the changes in and break-up of neighbourhood communities.Published on the occasion of the exhibition at Museum für Photographie, Braunschweig, 17 October - 28 December 2014.
Photographer and sociologist Camilo José Vergara has spent years documenting the decline of the built environment in New York City; Newark and Camden, New Jersey; Philadelphia; Baltimore; Chicago; Gary, Indiana; Detroit; and Los Angeles.
The conditions, beliefs, and practices that shape the churches and the lives of America's urban poor are explored in this collection of photographs and interviews with pastors, church officials, and congregation members.
An exquisite homage to Chicago's architecture and people, from the renowned documentary photographer and the acclaimed architectural historian. In a series of celebrated books, the eminent photographer and sociologist Camilo Jose Vergara has observed and recorded the evolution of America's inner cities for over twenty years, documenting the effects of time, commercialism, culture, and neglect on the built environment, with an aesthetic vision that has been hailed by the New York Times as "persuasive and moving." Here, in a unique collaboration with Timothy Samuelson, Chicago's leading architectural historian, Vergara probes the power and resonance of one of America's greatest cities. Unexpec...
David E. Toohey's Borderlands Media: Cinema and Literature as Opposition to the Oppression of Immigrants is an in-depth analysis which explores the immigrant experience using a mixture of cinema, literary, and other artistic media spanning from 1958 onward. Toohey begins with Orson Welles's 1958 Touch of Evil, which triggered a wave of protest resulting in Chicana/o filmmakers acting out against the racism against immigrant and diaspora communities. The study then adds policy documents and social science scholarship to the mix, both to clarify and oppose undesirable elements in these forms of thought. Through extensive analysis and explication, Toohey uncovers a history of power ranging from lingual and visual to more widely recognized class and racial divisions. These divisions are analyzed both with an emphasis on how they oppress, but also how cinematic political thought can challenge them, with special attention to the philosophy of Gilles Deleuze. David E. Toohey's Borderlands Media is an essential text for scholars and students engaged in questions regarding the effect of media on the oppression of immigrants and diaspora communities.
Vacant lots. Historic buildings overgrown with weeds. Walls and alleyways covered with graffiti. These are sights associated with countless inner-city neighborhoods in America, and yet many viewers have trouble getting beyond the surface of such images, whether they are denigrating them as signs of a dangerous ghetto or romanticizing them as traits of a beautiful ruined landscape. The Street: A Field Guide to Inequality provides readers with the critical tools they need to go beyond such superficial interpretations of urban decay. Using MacArthur fellow Camilo José Vergara’s intimate street photographs of Camden, New Jersey as reference points, the essays in this collection analyze these ...
The first work in English to discuss the social and political history of lawyers in a Latin American country, Honorable Lives presents a portrait of lawyers in late colonial and early modern Colombia. Uribe-Uran focuses on the social origins, education, and careers of those qualified to practice law before the highest colonial courts—Audiencias—and the republican courts after the 1820s. In the course of his study, Uribe-Uran answers many questions about this elite group of professionals. What were the social origins and families of lawyers? Their relation to the state? Their participation in political movements and parties, revolutions, civil wars, and other political processes? Their id...