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Delve into the intricacies of female incarceration in Indian prisons, as seen, experienced, and recounted by two former political activists turned writers. This book juxtaposes their narratives with readings of Michel Foucault, unveiling the complex subjectivities within prison walls where stories of hope and despair converge, resulting in profound liminal experiences.
A materialist and political interpretation of dissenting writings that recovers a story of women's political participation.
Like other pre-colonial socio-economic formations, the profession of prostitution underwent a dramatic change in Bengal soon after the British take-over. Under the Raj explores the world of the prostitute in nineteenth century Bengal. It traces how, from the peripheries of pre-colonial Bengali rural society, they came to dominate the center-stage in Calcutta, the capital of British India--thanks to the emergence of a new clientele brought forth by the colonial order. Sumanta Banerjee examines the policies the British administration implemented to revamp the profession to suit its needs, as well as to screen its practitioners in a bid to protect its minions in the army from venereal diseases. He also analyzes the class structure within the prostitute community in nineteenth century Bengal, its complex relationship with the Bengali bhadralok society--and, what is more important and fascinating for modern researchers in popular culture--the voices of the prostitutes themselves, which we hear from their songs, letters, and writings, collected and reproduced from both oral tradition and printed sources.
Concerned chiefly with views and events of the 19th and 20th centuries. Discusses deviations from a putative ideal of femininity characterised by chastity and inactivity.
The Naxalbari movement marks a significant moment in the postcolonial history of India. Beginning as an armed peasant uprising in 1967 under the leadership of radical communists, the movement was inspired by the Marxist-Leninist theory of revolution and involved a significant section of the contemporary youth from diverse social strata with a vision of people’s revolution. It inspired similar radical movements in other South Asian countries such as Nepal. Arguing that the history and memory of the Naxalbari movement is fraught with varied gendered experiences of political motivation, revolutionary activism, and violence, this book analyses the participation of women in the movement and the...
This book addresses emancipatory narratives from two main sites in the colonial world, the Indian and southern African subcontinents. Exploring how love and revolution interrelate, this volume is unique in drawing on theories of affect to interrogate histories of the political, thus linking love and revolution together. The chapters engage with the affinities of those who live with their colonial pasts: crises of expectations, colonial national convulsions, memories of anti-colonial solidarity, even shared radical libraries. It calls attention to the specific and singular way in which notions of ‘love of the world’ were born in a precise moment of anti-colonial struggle: a love of the world for which one would offer one’s life, and for which there had been little precedent in the history of earlier revolutions. It thus offers new ways of understanding the shifts in global traditions of emancipation over two centuries.
Covering nearly 225 years, this volume tries to capture a broad spectrum of the situation of women performers from Gerasim Lebedeff's time (1795), who are considered to be the first performers in modern Bengali theatre, to today's time. The moot question is whether the role of women as performers evolved down the centuries. Whether this question will lead us to their subjugation to their male counterparts, producers, and directors has been explored here to give readers an understanding of when, where, by whom the politics began, and, by tracing the footprints, we have tried to understand if the politics has changed, or remains unchanged, or metamorphosed with regard to the woman's question i...
Writers Editors Critics (WEC) An International Biannual Refereed Journal of English Language and Literature Volume 6 Number 2 (September 2016) ISSN: 2231 ? 198X Special Issue: a tribute to Indian poet Mahasweta Devi (14 January 1926 ? 28 July 2016) A Poetic Tribute to Mahasweta Devi ÿ ÿ- K. V. Dominic Mahasweta Devi: Death cannot Claim a Valiant Soul ÿ- Ketaki Datta Mahasweta Devi: Fourth World Literature for Indigenous ÿPeople?An Obituary - Ratan Bhattacharjee Charting the ?Subaltern? Terrain?The Outsider-Insider: Mahashweta Devi?s ?Pterodactyl? in Perspective - Poonam Sahay Aarti to Maha Shakthi - P. Gopichand & P. Nagasuseela Mahasweta Devi: Voice of the Deprived Millions - Manas Baks...
The End-Century Edition Of The Who'S Who Of Indian Writers, Is An Invaluable Work Of Reference For Writers, Publishers, Readers And Students Of Literary History. For Ease Of Use, The Entries Are Arranged Alphabetically By Surname Or Part Of The Name Preferred By The Writers Themselves. A Large Number Of Cross- References Are Provided To Facilitate The Location And Identification Of The Writers.
Partition occurring simultaneously with British decolonization of the Indian subcontinent led to the formation of independent India and Pakistan. While the political and communal aspects of the Partition have received some attention, its enormous personal and psychological costs have been mostly glossed over, particularly when it comes to the splitting of Bengal. The memory of this historical ordeal has been preserved in literary archives, and these archives are still being excavated. This book examines neglected narratives of the Partition of India in 1947 to study the traces left by this foundational trauma on the national- and regional-cultural imaginaries in India, Pakistan, and Banglade...