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Includes entries for maps and atlases.
“Ask an authority on Brazilian culture what he considers to be the most significant artistic event in Brazil during this century,” observes John Nist, “and he will quickly reply, ‘The Modern Art Week Exhibition, staged in Sao Paulo in February, 1922.’ This public demonstration and aesthetic manifesto represented a cut with the past, a violent break with tradition unparalleled in Brazilian history. The fact that Brazilians still discuss the poetical renovation achieved by Modernism shows how strongly the movement attacked and questioned traditional attitudes, cherished preconceptions, prejudiced aspects of a national sensibility that still persists, in some quarters, to this day. As...
Os autores deste livro, pesquisadores especialistas, nos levam com uma excelente didática, experiência e entusiasmo ao universo das algas, especialmente as de água doce. Temos diante de nós um trabalho essencial, que nos introduz no mundo fascinante destes organismos que ocupam diferentes habitats de nosso planeta, destinado e indispensável ao ensino secundário e a todos que querem descobrir, passo a passo, o maravilhoso universo das algas.
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The first English translation of the field-defining work in Brazilian studies ethnohistory by the late John M. Monteiro.
In this book historian Ana Lucia Araujo examines Biard's Brazil with special attention to what she calls his "tropical romanticism" a vision of the country with an emphasis on the exotic.
The diaspora of Portuguese Jews and New Christians, known as Gente da Nação (People of the Nation), is considered the largest European diaspora of the early modern period. Portuguese Jews not only founded the first congregations and synagogues in Brazil (Recife and Olinda), but when they left Brazil they played an imperative role in establishing the first Jewish communities in Suriname, throughout the Caribbean, and in North America. Portuguese Jews and New Christians and their descendants were deeply involved in the colonial enterprise in Brazil. They were among the New World’s first sugarcane-industry experts, skilled laborers, merchants, rabbis, calligraphists, playwrights, poets, writers, pharmacists, medical doctors, real estate brokers, and geographers—a fact that remains largely unknown in most public and academic spheres. Drawing on nearly twenty thousand digitized dossiers of the Portuguese Inquisition, this volume offers a comprehensive, critical overview informed by both relatively inaccessible secondary sources and a significant body of primary sources.
A comprehensive bibliography dealing specifically with African slave trade. This volume has been sub-classified for easier consultation and the compiler has provided, where possible, descriptions and comments on the works listed.
Black Milk is the first in-depth analysis of the visual arts that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. Exploring prints, photographs, paintings, sculptures, ceramics, and ephemera, it will change everything we knew, or thought we knew, about the visual archive of Atlantic slavery.
Colonial Brazil provides a continuous history of the Portuguese Empire in Brazil from the beginnings of the sixteenth to the nineteenth centuries.