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A Cultural History of Latin America
The Cambridge History of Latin America is a large scale, collaborative, multi-volume history of Latin America during the five centuries from the first contacts between Europeans and the native peoples of the Americas in the late fifteenth and early sixteenth centuries to the present. A Cultural History of Latin America brings together chapters from Volumes III, IV, and X of The Cambridge History on literature, music, and the visual arts in Latin America during the nineteenth and twentieth centuries. The essays explore: literature, music, and art from c. 1820 to 1870 and from 1870 to c. 1920; Latin American fiction from the regionalist novel between the Wars to the post-War New Novel, from the 'Boom' to the 'Post-Boom'; twentieth-century Latin American poetry; indigenous literatures and culture in the twentieth century; twentieth-century Latin American music; architecture and art in twentieth-century Latin America, and the history of cinema in Latin America. Each chapter is accompanied by a bibliographical essay.
Theorising the Ibero-American Atlantic
Theorising the Ibero-American Atlantic offers a fresh look at the Atlantic turn in Ibero-American Studies. Taking the criticisms launched at Atlantic Studies as a starting point, contributors query and explore the viability of the Ibero-American Atlantic as a framework of research. Their essays take stock of theories, methodologies, debates and trends in recent scholarship, and set down pathways for future research. As a result, the contributions in this volume establish the historical reality of the Ibero-American Atlantic as well as its tremendous value for scholarship. Contributors are Vanda Anastácio, Francisco Bethencourt, Harald E. Braun, David Brookshaw, Jorge Cañizares-Esguerra, Daniela Flesler, Andrew Ginger, Eliga Gould, David Graizbord, Thomas Harrington, Luis Martín-Cabrera, José C. Moya, Mauricio Nieto Olarte, Joan Ramon Resina, N. Michelle Shepherd, Lisa Vollendorf and Grady C. Wray.
The Uruguay, A Historical Romance of South America
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
The Jew
"The Jew" is a classic of Portuguese literature written by Camilo Castelo Branco. Originally published in 1866, the narrative unfolds in four parts, originally in two volumes, spanning a family's story from 1699 to 1760. In the first volume, we are introduced to the ill-fated couple of lovers, Jorge de Barros and Sara de Carvalho, in the mid-1699s. Jorge, a member of a noble family in Portugal, faces the hatred and persecution of his own relatives, while Sara, whose parents were condemned to the stake by the Inquisition due to accusations of Judaism, seeks to conceal her true ancestry to avoid the same tragic fate. The plot unfolds amidst prejudices and adversities, but their story is linked...
New Approaches to the Comparative Abolition in the Atlantic and Indian Oceans
Taking the theme of 'abolition' as its point of departure, this book builds on the significant growth in scholarship on unfree labour in the Atlantic and Indian Ocean worlds during the past two decades. The essays included here revisit some of the persistent problems posed by the traditional comparative literature on slavery and indentured labour and identify new and exciting areas for future research. This book is intended for a broad audience, including scholars, students as well as for a general readership who have specific interests in the history of the slave trade, slavery and imperial history. It was originally published as a special issue of the journal, Atlantic Studies: Global Currents.
Strange Pilgrimages
This anthology "decolonizes" the voices of Latin Americans who travel abroad and engage in cultural critiques of their homelands in counterpoint to foreigners' better known accounts of Latin America. The 17 contributions by North and South American academics examine--including entertaining first person accounts--the themes of constructing nations/a national identity post- independence, touring modernity, taking sides, and the art of living and working abroad. References include suggested films (e.g. Carmen Miranda: Bananas is My Business, 1994) as well as readings. Lacks an index. Annotation copyrighted by Book News Inc., Portland, OR
The Oxford Book of Latin American Short Stories
This collection brings together 53 stories that span the history of Latin American literature and represent the most dazzling achievements in the form. It covers the entire history of Latin American short fiction, from the colonial period to present.
Agents of Translation
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Brazil
The transformation of Brazil from Portuguese colony to independent nation continues through Brazilian independence to the Paraguayan War, the age of reform (1870-1889) and The First Republic (1889-1930).
O Panorama
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