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"That rare person who looked like Marlene Dietrich and wrote like Virginia Woolf," Clarice Lispector is one of the most popular but least understood of Latin American writers, and now, after years of research on three continents, drawing on previously unknown manuscripts and dozens of interviews, Benjamin Moser demonstrates how Lispector's development as a writer was directly connected to the story of her turbulent life. Born in the nightmarish landscape of post-World War I Ukraine, Clarice became, virtually from adolescence, a person whose beauty, genius, and eccentricity intrigued Brazil. Why This World tells how this precocious girl, through long exile abroad and difficult personal strugg...
Although published as part of a series on Brazilian studies, central to this collection are not the concepts of nation or nationhood but those of transnational networks and cross-cultural exchanges. The concept of nation is of limited value to account for the periodical print culture as a global phenomenon marked by transnational movements such as those involving capital flows, commodities, people, ideas and editorial models. In this vein, what these chapters explore is not so much the concept of influence – which often plays a central role in Eurocentric analyses – but those of circulation and interaction. The notion of “circulation” here emphasised is more appropriate to the study of cultural exchanges, focusing on the movements of and engagements with ideas and concepts, as well as the appropriated models and the people involved in the publication and consumption of magazines. What the reader will find in these essays are analysis of numerous processes of transnational cultural negotiations.
In his first single-authored English-language work, Rafael Cardoso offers a re-evaluation of modern art and modernism in Brazil.
E. H. Carr wrote, "study the historian before you begin to study the facts." This book approaches the life, work, ideas, debates, and the context of key 20th- and 21st-century historians through an analysis of their life writing projects viewed as historiographical sources. Merging literary studies on autobiography with theories of history, it provides a systematic and detailed analysis of the autobiographies of the most outstanding historians, from the classic texts by Giambattista Vico, Edward Gibbon and Henry Adams, to the Annales historians such as Fernand Braudel, Philippe Ariès and Georges Duby, to Marxist historians such as Eric Hobsbawm and Annie Kriegel, to postmodern historians su...
This book examines the trajectory of the historical knowledge about journalism produced by its scholars in Brazil, from the early accounts originating from the Brazilian Historical and Geographic Institute in the 19th century to the specialized academic field at the turn of the 21st century. The history of journalism historiography shows that during the Empire and the Old Republic, the press was idealized as a means of education and a form of mirror of events. After the New State, there was a tendency to view it as an instrument for manipulating public opinion and a suspicious documentary source in the eyes of historians. Finally, with the end of the Military Regime, and with the emergence o...
This book is a vital contribution to the development of Magazine Studies. It shows the urgent need for industry and academia to jointly find solutions for the challenges faced by magazines as they transition to digital formats. The spirit of magazines is to create communities and interconnections between human beings, and the global appeal of this subject matter is shown in contributions from 19 authors from four continents and 10 different countries. The book disseminates fresh research into a wide variety of periodical types, and will appeal to communication and journalism scholars, but also to historians, digital media and visual studies researchers. Magazine professionals will also find significant insights into practice that will deepen their understanding and sharpen their craft.
Esta terceira edição de A Cidade Mulher, de Alvaro Moreyra, revisada, comemora os 450 anos de fundação da cidade do Rio de Janeiro, completados em 1º. de março de 2015. Lançada em 2016, 93 anos após a primeira edição e 25 depois da segunda, apresenta e estuda o texto com profundidade. Organizada por Cláudia de Oliveira, Cláudia Mesquita e Joëlle Rouchou e por elas pensada em homenagem à cidade e a um de seus mais importantes autores, esta edição é prefaciada pela crítica literária Beatriz Resende e apresentada pela jornalista Sandra Moreyra (1954-2015), neta do autor, que o trata pelo carinhoso apelido de Alvinho. Traz, ainda, três artigos sobre a obra e o autor assinados pelas organizadoras. Em A Cidade Mulher, o leitor percorrerá os recantos e os encantos do Rio de Janeiro dos anos 1920. Com as duas primeiras edições esgotadas, este livro, agora reeditado, vem "resgatar o autor de imerecido exílio", como afirma Beatriz Resende, e novamente colocar à disposição do grande público uma obra fundamental da produção literária da época.
É com grande prazer que entregamos a presente publicação à comunidade acadêmica e, em especial, aos nossos alunos de Graduação das mais diversas habilitações, da Faculdade de Letras da Universidade Federal do Rio de Janeiro. Tal publicação é fruto dos resultados dos trabalhos finais desenvolvidos nas disciplinas Teoria Literária II e Fundamentos da Cultura Literária Brasileira, ministradas no segundo semestre de 2013. Apesar da variedade de assuntos e obras de diferentes autores e estilos, foi possível agrupar todos os trabalhos, a partir de blocos temáticos, a saber: Olhares sobre Literatura e Cidade; Olhares sobre a Literatura e a sociedade; Estampas do Brasil em textos qui...