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The Eighteenth-Century Theatre in Spain
Previously published as a special issue of The Bulletin of Spanish Studies, The Eighteenth-Century Theatre in Spain is the second in a series of research bibliographies on the Theatre in Spain. Representing ten years of searches and compilation by its specialist authors, this volume draws together data on more than 1,500 books, articles and documents concerned with Spanish eighteenth-century theatre. Studies of plays and playwrights are included as well as material dealing with theatres, actors and stagecraft. Wherever possible, items listed have been personally examined, and their library location in Britain, Spain or USA is provided. Scholars with interests in drama will find in this single-volume work of reference a wealth of reliable information concerning this specialist field.
The End of the Spanish Civil War
The Spanish Civil War ended in Alicante. After Catalonia fell to the Hitler and Mussolini backed military rebellion of Franco’s Nationalists at the outset of 1939, the legitimate Republican government of Dr Negrín was faced with a choice between apparently futile resistance or unconditional surrender to the triumphant Nationalists. Choosing the path of continued defiance until they could force concessions or at least implement a mass evacuation of those Republicans most at risk in Franco’s new Spain, the government withdrew to Elda in the province of Alicante. However, their plans were thwarted by a new rebellion of Republican officers, led by Colonel Segismundo Casado, who resented Neg...
Joan B. Pastor Aicart
Joan B. Pastor Aicart (Beneixama, 1849-1917) va ser metge rural i un escriptor molt prolífic, tant en castellà com en valencià. Si bé ha estat conegut com a poeta, la seua obra abraça tot tipus de gèneres literaris: assaig, teatre, articles de premsa, crítica literària, narrativa curta, etc. Fins ara, la seua figura ha passat desapercebuda dins del moviment de la Renaixença valenciana, tot i ser l'autor més premiat al llarg dels territoris de parla catalana durant aquells anys de renaixement lingüístic. El caràcter conservador i religiós d'una bona part de la seua obra i el seu tarannà social discret, que el va fer viure lluny de la capital i sempre més atent al treball que no a l'aparició en els cenacles literaris de l'època, han mantingut probablement oculta la importància dels seus escrits. Aquest llibre, que intenta ser una reconstrucció de la seua biografia intel·lectual, presenta també una breu selecció dels seus textos més rellevants.
Spain and Its Literature
Besides an Introduction, Bibliography and "Centenary Reappraisal", eighteen original articles by respected Hispanists from Britain, Spain and the United States have been collected in this homage volume. A high proportion of articles reflect Peers’ major interests in mysticism and the Romantic Movement. Part I, From the Middle Ages to the Siglo de Oro, includes essays that deal with Francisco de Osuna’s "higher memory", the "Dark Night" of San Juan de la Cruz, Judaeo-Islamic traditions in Luis de León and Miguel de Molinos’ Spiritual Guide. Part II, From the Dawn of Romanticism to the Twentieth Century, contains articles concerned with writers, works or themes as: Sánchez’s Colección and Percy’s Reliques, Rivas and tragedy, El moro expósito, Gustavo Adolfo Bécquer, Victor Hugo and "La Nonne sanglante". An article, dealing comparatively with Goytisolo and Zorrilla, which provides "A Missing Link in the Dis-affiliation of a Post-Romantic Expatriate in Revolt?" aptly concludes the volume.
Dark Laughter
In Dark Laughter, Juan F. Egea provides a remarkable in-depth analysis of the dark comedy film genre in Spain, as well as a provocative critical engagement with the idea of national cinema, the visual dimension of cultural specificity, and the ethics of dark humor. Egea begins his analysis with General Franco's dictatorship in the 1960s—a regime that opened the country to new economic forces while maintaining its repressive nature—exploring key works by Luis García Berlanga, Marco Ferreri, Fernando Fernán-Gómez, and Luis Buñuel. Dark Laughter then moves to the first films of Pedro Almodóvar in the early 1980s during the Spanish political transition to democracy before examining Alex de la Iglesia and the new dark comedies of the 1990s. Analyzing this younger generation of filmmakers, Egea traces dark comedy to Spain's displays of ultramodernity such as the Universal Exposition in Seville and the Barcelona Olympic Games. At its core, Dark Laughter is a substantial inquiry into the epistemology of comedy, the intricacies of visual modernity, and the relationship between cinema and a wider framework of representational practices.
The Oxford Companion to Fairy Tales
This Oxford companion provides an authoritative reference source for fairy tales, exploring the tales themselves, both ancient and modern, the writers who wrote and reworked them and related topics such as film, art, opera and even advertising.
From Silver Screen to Spanish Stage
This is the first book-length English-language study of a group of five artists closely linked with the Spanish avant-garde in the 1920s and 1930s, now known as the 'Other' Generation of 27. In the same way that their contemporaries of the celebrated Generation of 27 (which included Federico Garcia Lorca) attempted a revolution of the arts through poetry inspired by European modernism, the 'Other' Generation of 27 attempted to renovate Spanish humour, first in prose, and then in the theatre and cinema. This book demonstrates how these humorists drew on the humour of Chaplin, Keaton, Lubitsch and the Marx Brothers for their stage comedy, and how they stretched the limits of the stage at the time by incorporating cinematic techniques, such as flashback, voice-overs and montage, in their search for new dramatic forms.
A Companion to the Twentieth-century Spanish Novel
The Spanish novel in a turbulent century.
Comfort and Domestic Space in Modern Spain
Comfort and domestic space are complex narratives that can help draw our attention to everything from urban planning, everyday objects, and new technologies to class conflict, racial and ethnic segregation, and the gendering of domestic labour. Comfort and Domestic Space in Modern Spain delves into the history of ideas surrounding the modern home. It explores how the collective experience of domestic space has been shaped by government ideologues, technocrats, and artists as well as working- and middle-class Spaniards since the late nineteenth century. The book focuses on the social and cultural meanings of domestic space in ways that invite us to cross boundaries between private and public, the particular and the general, the local and the global, and to pay attention to the role of the cultural imagination in making a house into a home. Considering a wide variety of voices and perspectives that have resulted in new ideas about how to inhabit domestic space, Comfort and Domestic Space in Modern Spain brings together an international, interdisciplinary group of scholars to illuminate the cultural history of everyday life.
"Quinqui" Film in Spain
This volume of essays focuses on films of the so-called quinqui genre, films created during the 1970s–1980s depicting the lives of young criminals from the outskirts of Spanish cities, that arose/spread during the uncertain transitional period in a Spain moving from a dictatorship to a democracy. The quinqui films, produced and released on a shoestring budget, were nonetheless immensely popular, although never fully considered as part of the national film production in academic circles due to their “B” nature and low quality. These films encapsulate many of the concerns that Spaniards were facing (unemployment, class conflict and disparity, wild economic growth, increasing violence and...
