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A Dictionary of Symbols
This classic encyclopedia of symbols by the renowned Spanish poet illuminates the imagery of myth, modern psychology, literature, and art. J. E. Cirlot’s A Dictionary of Symbols is a feat of scholarship, an act of the imagination, and a tool for contemplation, as well as a work of literature—a reference book that is as indispensable as it is brilliant and learned. Cirlot was a composer, poet, critic, and champion of modern art whose interest in surrealism helped introduce him to the study of symbolism. This volume explores the space between the world at large and the world within, where nothing is meaningless, and everything is in some way related to something else. Running from “abandonment” to “zone” by way of “flute” and “whip,” spanning the cultures of the world, and including a wealth of visual images to further bring the reality of the symbol home, A Dictionary of Symbols is a luminous and illuminating investigation of the works of eternity in time.
The Theatre of Imagining
This book is the first comprehensive analysis of the fascinating and strikingly diverse history of imagination in the context of theatre and drama. Key questions that the book explores are: How do spectators engage with the drama in performance, and how does the historical context influence the dramaturgy of imagination? In addition to offering a study of the cultural history and theory of imagination in a European context including its philosophical, physiological, cultural and political implications, the book examines the cultural enactment of imagination in the drama text and offers practical strategies for analyzing the aesthetic practice of imagination in drama texts. It covers the early modern to the late modernist period and includes three in-depth case studies: William Shakespeare’s Macbeth (c.1606); Henrik Ibsen’s A Doll’s House (1879); and Eugène Ionesco’s The Killer (1957).
The Engineer
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Catalogue
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Space and Muslim Urban Life
This book develops academic understanding of Muslim urban space by pursuing the structural logic of the premodern Arab-Muslim city, or medina. With particular reference to The Book of Walls, an historical discourse of Islamic law whose primary subject is the wall, the book determines the meaning of a wall and then uses it to analyze the space of Fez. One of a growing number of studies to address space as a category of critical analysis, the book makes the following contributions to scholarship. Methodologically, it breaks with the tradition of viewing Islamic architecture as a well-defined object observed by a specialist at an aesthetically directed distance; rather, it inhabits the logic of...
The End of All Things Is at Hand
This book proposes a bold vision of the "end" of human life and the cosmos based on the hopeful vision of Christian faith. In a dialogue with the best of Christian tradition, the natural sciences' conjectures of the "end," as well as Islam's rich teaching on the doctrine of the Last Things, a fresh constructive eschatology is recommended. While based on wide and deep academic learning, the conversational style of the book makes it suitable for various kinds of audiences, from pastors, to students, to scholars, and to interested lay folks.
Official Gazette
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