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Painting and Devotion in Golden Age Iberia
It is the first monograph in English on Luis de Morales since the 1960s, which is essential for those who do not read Spanish because most of the literature on Morales is in Spanish It provides an extended consideration of the relationship between Morales’ paintings and the devotional practices of his times, using devotional writing aimed at a lay readership and sermons It highlights the importance of Portuguese cultural influences on his work and notes the significance of his work in Portugal as an influence on Portuguese painters and style.
The Medieval Iberian Treasury in the Context of Cultural Interchange (Expanded Edition)
The Medieval Iberian Treasury in the Context of Cultural Interchange—expanded beyond the special issue of Medieval Encounters from which it was drawn—centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages. Now fully open access and with an updated introduction to ongoing research, an additional chapter, composite bibliographies, and indices, this multidisciplinary volume opens fresh ways into the investigation of medieval objects and textiles through historical, art historical, and technical analyses. Carbon-14 dating, iconography, and social history are among the methods applied to material and textual evidence, together shining new light on the display of rulership in medieval Iberia. Contributors are Ana Cabrera Lafuente, María Judith Feliciano, Julie A. Harris, Jitske Jasperse, Therese Martin, Pamela A. Patton, Ana Rodríguez, and Nancy L. Wicker.
Romanesque Architecture and its Sculptural in Christian Spain, 1000-1120
The decades following the year 1000 marked a watershed in the history of the Iberian Peninsula when the balance of power shifted from Muslims to Christians. During this crucial period of religious and political change, Romanesque churches were constructed for the first time in Spain. Romanesque Architecture and Its Sculptural Decoration in Christian Spain, 1000-1120 examines how the financial patronage of newly empowered local rulers allowed Romanesque architecture and sculptural decoration to significantly redefine the cultural identities of those who lived in the frontier kingdoms of Christian Spain. Proceeding chronologically, Janice Mann studies the earliest Romanesque monuments construc...
Church, State, Vellum, and Stone
The sixteen essays in this volume were written to honor John Williams's contributions to the study of medieval Spanish art and architecture. Contributors from the fields of Art History, History, and Archaeology were chosen to demonstrate Williams's wide-ranging influence as scholar and teacher. Thus, the collection represents current research by scholars from five countries, providing an interdisciplinary, international, and even intergenerational view of the work being done in Spanish medieval History and Art History today. With contributions by Achim Arbeiter, Simon Barton, Ann Boylan, James D'Emilio, Angela Franco, Julie A. Harris, Peter K. Klein, Therese Martin, Eileen P. McKiernan González, Pamela Patton, David Raizman, Bernard F. Reilly, Diane Reilly, Rocío Sánchez Ameijeiras, José Luis Senra, and Kenneth B. Wolf.
The Late Medieval Hebrew Book in the Western Mediterranean
This collection takes the Hebrew book as a focal point for exploring the production, circulation, transmission, and consumption of Hebrew texts in the cultural context of the late medieval western Mediterranean. The authors elaborate in particular on questions concerning private vs. public book production and collection; the religious and cultural components of manuscript patronage; collaboration between Christian and Jewish scribes, artists, and printers; and the impact of printing on Iberian Jewish communities. Unlike other approaches that take context into consideration merely to explain certain variations in the history of the Hebrew book from antiquity to the present, the premise of these essays is that context constitutes the basis for understanding practices and processes in late medieval Jewish book culture.
The Crown of Aragon
The Crown of Aragon. A Singular Mediterranean Empire recovers the history of an empire which was of great importance in the late medieval Mediterranean, but which has since been relegated almost to oblivion by the course of history. The Crown of Aragon was a Mediterranean crossroads: between west and east for the economy, and between north and south for culture and religion, drawing in many different peoples, covering Iberia to Greece. A new vision of the Crown of Aragon as a framework of overlapping identities facilitates its historiographical recovery, showcased in the chapters of this volume which analyse the economy, institutions, social evolution, political strategy and cultural expression in literature and art of the Crown of Aragon. Contributors are David Abulafia, Lola Badia, Xavier Barral-i-Altet, Pere Benito, Maria Bonet, Jesús Brufal, Alessandra Cioppi, Damien Coulon, Luciano Gallinari, Isabel Grifoll, Adam J. Kosto, Esther Martí-Setañés, Sebastiana Nocco, Antoni Riera, Flocel Sabaté and Antoni Simon.
Theme Parks, Rainforests and Sprouting Wastelands
This lively and fascinating new collection of European essays on contemporary Anglophone fiction has arisen out of the ESSE/3 Conference, which was held in Glasgow in September 1995. The contributors live and work in University English Departments in Bulgaria, Croatia, France, Germany, Hungary, Italy, The Netherlands, Portugal and Spain, as well as in the United Kingdom itself. Essays on general theoretical aspects of the subject head and conclude the collection, and there are also essays on individual writers or groups of writers, such as John Fowles, A.S. Byatt, Charles Palliser, Peter Ackroyd, William Golding, Doris Lessing, Daphne du Maurier, Angela Carter and Christina Stead. The perfor...
Goya’s Graphic Imagination
This book presents the first focused investigation of Francisco Goya's (1746–1828) graphic output. Spanning six decades, Goya’s works on paper reflect the transformation and turmoil of the Enlightenment, the Inquisition, and Spain's years of constitutional government. Two essays, a detailed chronology, and more than 100 featured artworks illuminate the remarkable breadth and power of Goya's drawings and prints, situating the artist within his historical moment. The selected pieces document the various phases and qualities of Goya's graphic work—from his early etchings after Velázquez through print series such as the Caprichos and The Disasters of War to his late lithographs, The Bulls of Bordeaux, and including albums of drawings that reveal the artist’s nightmares, dreams, and visions.
Arts, Portraits and Representation in the Reformation Era
The role played by artistic, literary, historical and theological representations in the establishment of the European Reformation has attracted scholarly attention over the years. While they were generally regarded as a significant means of conveying the evangelical message, particularly in a society with a low average literacy rate, this scholarly consensus was then seriously challenged by objecting that their meaning must have remained opaque to those who couldn't read and interpret their sometimes multilayered imagery and their verbal and figurative messages. This volume, which publishes some of the papers delivered at the Fourth Reformation Research Consortium Conference held in Bologna...
Emblemata Hispanica
Emblem books--books containing pictorial representations whose symbolic meaning is expressed in words--were produced in great quantities and in numerous languages during the sixteenth and seventeenth centuries. Because literary critics and art historians increasingly recognize the importance of the emblem in Renaissance and Baroque studies, this book answers the need for a bibliography listing the locations of all known emblem books in Spanish, as well as those translated into Spanish, written by Spaniards in other languages, and polyglot editions that contain a Spanish text. Covered in this bibliography are all emblem books published from the beginning to the end of the Spanish Golden Age, ...
