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He was GARBO to the Allies and ALARIC to the Germans – the most successful double agent of the Second World War. Indeed, his spy network across Britain was so highly regarded that he was decorated for his achievements ... by both sides. Throughout the war, GARBO kept the Germans supplied with reports from his ring of twenty-four agents. Hitler's spymasters never discovered or even suspected a double-cross, but all the agents in GARBO's network existed solely in his imagination. In one of the most daring espionage coups of all time, GARBO persuaded the enemy to hold back troops that might otherwise have defeated the Normandy landings on D-Day; without him, the Second World War could have taken a completely different course. For decades, GARBO's true identity was a closely guarded secret. After the war, he vanished. Years later, after faking his own death, Juan Pujol García was persuaded by the author to emerge from the shadowy world of espionage, and in this new edition of his classic account, now updated to include his agents' original MI5 files, GARBO reveals his unique story.
At face value, the concept of modernity seems to reference a stream of social and historical traffic headed down a utopian one-way street named "progress." Mexico's Ruins examines modernity in twentieth-century Mexican culture as a much more ambiguous concept, arguing that such a single-minded notion is inadequate to comprehend the complexity of modern Mexico's national projects and their reception by the nation's citizenry. Instead, through the trope of modernity as ruin, author Raúl Rodríguez-Hernández explores the dilemma presented by the etymology of "ruins": a simultaneous falling down and rising up, a confluence of opposing forces at work on the skyline of the metropolis since 1968. He focuses on artists and writers of the generación de medio siglo, like Juan García Ponce, and envisions both the tales of modernity and their storytellers in a new light. The arts, literature, and architecture of twentieth-century Mexico are all examined in this cross-cultural and interdisciplinary book.
In November 1532, a group of 168 Spaniards seized the Inca emperor Atahuallpa in the town of Cajamarca, in the northern Peruvian highlands. Their act, quickly taken as a symbol of the conquest of a vast empire, brought them unprecedented rewards in gold and silver; it made them celebrities, gave them first choice of positions of honor and power in the new Peru of the Spaniards, and opened up the possibility of a splendid life at home in Spain, if they so desired. Thus they became men of consequence, at the epicenter of a swift and irrevocable transformation of the Andean region. Yet before that memorable day in Cajamarca they had been quite unexceptional, a reasonable sampling of Spaniards o...
"The events that inspired these verses are collections of memories and fragments that have merged to form poems. The stories of loving experiences between players, that looking for love or company ended up with a wounded heart. These stanzas represent detailed images of the experiences leading to disenchantments and frustrations that loving and losing produces; without forgetting the sublime rapture and ecstasy that loving also inspires. These verses touch the essence of the heart and soul, appealing to that collective need we call love; that human sentiment so powerful, that it can make us touch heaven or sink us to darkest depths of hell."
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A collected set of congressional documents of the 11th to the 55th Congress, messages of the Presidents of the United States, and correspondence of the State Dept. Many of these pamphlets have been catalogued separately under their respective headings.
Describes the life of Juan Pujol, a poultry farmer who opposed the Nazis and concocted a series of staggering lies that lead to his becoming one of Germany's most valued spies, while actually acting as a double-agent for the Allies.
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