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Over eight-hundred letters were written between the author's newly-engaged parents during the time that her father was on the Republican war front fighting against Franco's forces, and her mother awaiting the end of the war. Her father, Professor Juan Luis Alborg, would live to become a well-known literary historian and critic. Her mother's life, on the other hand, was overshadowed by her husband's academic celebrity. The letters were discovered whilst preparing for a symposium marking the centenary of her father's birth, celebrated at the University of Malaga in 2014. This unique memoir is a micro-history of the Spanish Civil War at an individual level; it illuminates the 'official story' a...
Publisher Description
Está fuera de duda que el romanticismo español tienta en muy corta medida a nuestros investigadores y críticos literarios. Henry Remak, al hacer balance de los estudios sobre el romanticismo europeo durante las dos últimas décadas, señala en primer lugar la hipertrofia de su volumen, hasta el punto de que renuncia incluso a recoger buen número de importantes publicaciones; sólo puede ofrecer ejemplos de las directrices capitales. Pero de semejante plétora está ausente, de modo casi total, la aportación de nuestra crítica no sólo ajena a los grandes problemas y a los autores europeos de universal repercusión, sino incluso a los más inmediatos de romanticismo doméstico (con muy contadas excepciones: Espronceda, Larra, Bécquer; este último con abultada preferencia).
"Picaresque Tales" - parodic narratives relating the adventures of a rogue - have been central to the development of Spanish literature since the time of Cervantes. This text incorporates poststructuralist theory into a comprehensive treatment of such tales written during the Spainish Golden Age. The essays in this volume examine such works as "Lazarillo de Tormes", "Guzman de Alfarache" and "El buscon". The contributors address the connection between literary representation and everyday life, examining the context in which the Picaresque mode developed.
Gathered to meet the rising upsurge of interest in Spain, this collection features major critical articles dealing with the authors and texts customarily taught in colleges and universities in the United States. The articles are in English and Spanish, with a predominance of the former. The material is organized to reflect the common chronological and period divisions of the academic curriculum, and is clustered around major literary figures, with a mix of general articles on the writers and texts that are most commonly included in anthologies. Spanish literature and culture have attracted a renewed interest since the return to constitutional democracy in the mid-1970s and the growing partic...
The passing of Spain's Law of Historical Memory (2007) marked the official recognition of the need to confront a violent and painful past. Article 2 makes reference to specific groups who experienced discrimination including religious and ethnic communities; no reference is made to the gender repression endured by women, enforced by a patriarchal regime through its legislation and policies, with the active support of the Church and the Women's Section of the Falange. Revised narratives of the period that have emerged in recent decades have raised issues in relation to the reliability and selectivity of memory, and its ongoing mediation by intervening events. While documentary sources of the ...
Malcolm K. Read employs a psychoanalytic model which sees civilization as a manner of instinctual renunciation in this analysis of selected texts from the sixteenth, seventeenth, and eighteenth centuries. Focusing on their moments of silence and contradiction, he demonstrates that certain attitudes toward the body expressed in these texts have a basis, albeit unconscious, in a motivation which is ultimately political. The central topics, deeply intertwined thematically and theoretically, relate to the nature and development of language; to the Baroque art of Gongora and Quevedo; to Feijoo's defense of the rationalist subject set against Torres Villarroel's subversion of the same; and to the neo-classical aesthetics of Luzan and Arteaga. The result is an interdisciplinary approach that challenges traditional assumptions in both literary criticism and linguistic historiography.
In this highly suggestive work, Philip Silver confronts and corrects the entire critical tradition on Spanish romanticism and suggests a new "restitutional" theory of that period in Spanish cultural and political history.