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Though some argue that bioethics in the Black African world is simply a reflection of the Western approach to bioethics, this work suggests otherwise. While the Western approach (bioethical principlism) claims to offer an absolute approach to bioethics in a universalized common morality, this book argues that bioethical principlism can be complemented with African approaches to bioethics. Western principlism, as primarily presented by Thomas L. Beauchamp and James F. Childress, can hardly be incarnated in the African context of bioethical problems unless it is complemented by a contextual normative understanding of African social realities, realities that themselves must be enriched by bioet...
In pursuing a holistic bioethics while dialoguing with different sciences' appreciation of moral affinities between human and nonhuman entities, Dr. Buyondo argues for a minimum moral status for nonhuman entities. The minimum normative basics of approaches to biomedical ethics are at the very least not distinctive to either human animals or nonhuman animals only. The investigation builds further on the African understanding of life--where no creation is lifeless. In establishing a more inclusive, functional bioethics, the African approach goes further than biocentrism, ecocentrism, and holism to ground an inclusive African "holistic moral egalitarianism," suggesting that "all forces" and "al...
Available in English for the first time, a masterwork by Enrique Dussel, one of the world's foremost philosophers, and a cornerstone of the philosophy of liberation, which he helped to found and develop.
In this book, Ikenna Okafor tackles an interesting and timely topic and demonstrates competence and maturity in developing his insight into Igbo humanism--to make liberation theology from an African perspective into a theology of solidarity and fraternity. With a good narrative style, Okafor critiques the Latin American liberation theological project. And inspired by the hermeneutical implications of "UBE NAWANNE," the evangelical positioning of material poverty and pathos for the poor as defining Christian discipleship is persuasively presented. The potent nwanne idiom guides his critical evaluation of the social teachings and praxis of the Catholic Church. In fact, it is clear that Okafor embarked on a subject matter that is of theological moment and has creative pastoral implications for the Church of Nigeria, the Churches of Africa, and the World Church.
This book explores gender issues in the images of God in folk religious traditions. From such an exploration, we are able to form conclusions about the everyday life of the faith community, dominant family structures, relationships between man and woman, gender roles, and the division of labor within the family. At the same time, the oral tradition reflects the influence of ecclesiastical and social expectations, even if in a negative way, resulting in negative attitudes toward the contemporary power politics. Texts relating to religion demonstrate clear gender-based characteristics. All these obvious or hidden expressions of convictions can be explored in the pictorial descriptions of oral tradition. The derogatory female images in biblical stories-interpreted and enforced from a typical point of view of rural story-telling men-inform us unambiguously about male self-preservation and hidden fears of women. The prayers and biographies of peasant women, on the other hand, do not concentrate on men, but rather avoid male elements, and, contradicting the everyday experiences of male oppression, they visualize the absolute female power.
Fourteen original essays by philosophers, theologians, and social scientists explore the challenges to moral and religious belief posed by disagreement and evolution. The collection represents both sceptical and non-skeptical positions about morality and religion, cultivates new insights, and moves the discussion forward in illuminating ways.
The aim of this selection of excerpts translated from Syriac writers, mainly on the topic of prayer, is to introduce this little known tradition of Eastern Christian spirituality to a wider audience. For the reader who is unfamiliar with this tradition the General Introduction is intended to provide a brief orientation. Some supplementary information on the individual authors will be found in the introductions to each chapter.
Kathrin Koslicki offers an analysis of ordinary materials objects, those material objects to which we take ourselves to be committed in ordinary, scientifically informed discourse. She focuses particularly on the question of how the parts of such objects are related to the wholes which they compose. Many philosophers today find themselves in the grip of an exceedingly deflationary conception of what it means to be an object. According to this conception, any plurality of objects, no matter how disparate or gerrymandered, itself composes an object, even if the objects in question fail to exhibit interesting similarities, internal unity, cohesion, or causl interaction amongst each other. This ...
The Coptic eucharistic liturgy begins with a public ritual known as the prothesis rite, in which oblations of bread and wine are chosen and placed on the altar. While preparatory rites of this kind are common throughout Christendom, it is only in the Egyptian tradition that this rite takes center stage as a public activity involving both clergy and laity. In The Presentation of the Lamb, Ramez Mikhail traces the evolution of the Coptic prothesis from its simple late antique origins to the middle ages, focusing on liturgical practices in Northern Egypt. Drawing upon a wide array of textual and material evidence, Mikhail provides the first study charting the evolution of any part of the Coptic Eucharist in such detail. The result is a fascinating glimpse into liturgical change in the Coptic liturgy in Islamic Egypt. In addition to a meticulous analysis of the Coptic prothesis, this work is an essential resource for the study of the Coptic liturgy generally, representing an indispensable reference for a host of primary sources, most of which are provided here for the first time in English.
Nicholas Wolterstorff’s distinguished career in philosophical theology continues to bear fruit, and here he shares his insight on the concepts of justice, art and liturgy. Although often discussed in isolation, as Wolterstorff masterfully demonstrates, they are bound together by divine love, and follow a common logical framework. Whether oriented towards the dignity of the other, the desire for creative engagement, or the infinite goodness of the creator, in every case unitive love is at their core. Wolterstorff explores all of this with consummate elegance, ultimately showing how each of the three topics find their fulfilment in the worship of God and in the affirmation of the image of God in each of us.