You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The etiquette expert and “authentic comic genius” guides us through the Age of Incivility (Chris Buckley, New York Times-bestselling author of Has Anyone Seen My Toes?). We seem to be entering a new era, liberated from oppressive, old-fashioned rules of etiquette. We’re finally free! Free to shout insults at strangers on the street! Free to pressure people to give us money! Free to use all sorts of offensive language! In this book, New York Times-bestselling author Judith Martin, aka Miss Manners, reminds us that living in an etiquette-free paradise is not all it’s cracked up to be. In wise, witty commentary and responses to letters, she addresses vexing problems in the workplace, at...
She shows the crucial role of etiquette in such contemporary issues as political correctness, multiculturalism, sexual harassment, educational failure and freedom of speech.
An indispensable manual to navigating life from birth to death without making a false move. Your neighbor denounces cellular telephones as instruments of the devil. Your niece swears that no one expects thank-you letters anymore. Your father-in-law insists that married women have to take their husbands' names. Your guests plead that asking them to commit themselves to attending your party ruins the spontaneity. Who is right? Miss Manners, of course. With all those amateurs issuing unauthorized etiquette pronouncements, aren't you glad that there is a gold standard to consult about what has really changed and what has not? The freshly updated version of the classic bestseller includes the latest letters, essays, and illustrations, along with the laugh-out-loud wisdom of Miss Manners as she meets the new millennium of American misbehavior head-on. This wickedly witty guide rules on the challenges brought about by our ever-evolving society, once again proving that etiquette, far from being an optional extra, is the essential currency of a civilized world.
Paint finishes and effects are now established as an essential component of every decorator's range of skills. Here, for the first time in paperback, is bestselling authors Judith and Martin Miller's fully illustrated practical guide to the secrets of the surface finishes and effects that complement period homes and furniture. Each chapter is illustrated by inspirational photographs showing how different finishes were used in decorative schemes and includes practical step-by-step sequences demonstrating how amateurs can achieve authentic-looking finishes and effects. By focusing on authentic-looking period finishes, this book answers a need that is not fulfilled by any other paint-finish or do-it-yourself manual.
Provides advice on etiquette from prekindergarten to post-graduate status for parents and children.
A guide to creating beautiful and meaningful textiles. Poetic cloth is about how cloth, stitch and surface create personal meaning in textile art. It shows how a more thoughtful use of material and process can create textiles of depth and meaning. Grounded in the key elements of the well-established author's work, the book begins with an introduction to materials, their properties and personal meanings. Subsequent chapters help the reader to explore the connection between process and material, focusing on stitch, print, surface manipulation and construction to create seductive textile surfaces. The emphasis throughout is on a sensitivity to material, a quiet attention to detail and thoughtful application of textile technique. The chapters are: Touch (cloth and swatch); Stitch (mark, surface and space); Trace (layer and shadow play); Fragment (worn, threadbare, cobweb); Mend (patch, seam, and darn); Lustre (alchemy and radiance). Techniques include hand stitch, shadow work, patching, darning, devoré and cyanotype printing. Written by member of the prestigious 62 Group Hannah Lamb, this is an invaluable book for textile artists who want to give more meaning to their work.
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert...
None
None